Chicago | ||||
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Studio album by Chicago | ||||
Released | January 26, 1970 | |||
Recorded | August 1969 | |||
Studio | Columbia Recording Studios, New York and Columbia Studios, Hollywood | |||
Genre | Jazz fusion, rock | |||
Length | 67:21 | |||
Label | Columbia | |||
Producer | James William Guercio | |||
Chicago chronology | ||||
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Singles from Chicago | ||||
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Allmusic |
Chicago (sometimes referred to as Chicago II) is the second studio album by Chicago-based American rock band Chicago. It was released in 1970 after the band had shortened its name from The Chicago Transit Authority following the release of their self-titled debut album the previous year (to avoid legal action being threatened by the actual mass-transit company).
Although the official title of the album is Chicago, it came to be retroactively known as Chicago II, keeping it in line with the succession of Roman numeral-titled albums that officially began with Chicago III in 1971.
While The Chicago Transit Authority was a success, Chicago is considered by many to be Chicago's breakthrough album, yielding a number of Top 40 hits, including "Make Me Smile" (#9), "Colour My World" (#7), and "25 or 6 to 4" (#4). The centerpiece of the album was the thirteen-minute song cycle "Ballet for a Girl in Buchannon". Guitarist Terry Kath also participated in an extended classically styled cycle of four pieces, three of which were co-written by the well-known, arranger, composer, and pianist Peter Matz. The politically outspoken keyboardist Robert Lamm also tackles his qualms with "It Better End Soon", another modular piece. Bassist Peter Cetera, later to play a crucial role in the band's music, contributed his first song to Chicago and this album, "Where Do We Go From Here".