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Charmer (Aimee Mann album)

Charmer
Aimee Mann - Charmer.png
Studio album by Aimee Mann
Released September 18, 2012
Recorded Stampede Origin, Los Angeles
Genre Pop/rock
Length 38:02
Label SuperEgo
Producer Paul Bryan
Aimee Mann chronology
@#%&*! Smilers
(2008)@#%&*! Smilers2008
Charmer
(2012)
Mental Illness
(2017)Mental Illness2017
Singles from Charmer
  1. "Charmer"
    Released: June 25, 2012
  2. "Labrador"
    Released: September 18, 2012
  3. "Soon Enough"
    Released: November 8, 2012
Professional ratings
Aggregate scores
Source Rating
Metacritic (73/100)
Review scores
Source Rating
Allmusic 4/5 stars
American Songwriter 3/5 stars
Blurt 8/10 stars
Consequence of Sound 3.5/5 stars
musicOMH 3/5 stars
No Ripcord 5/10 stars
PopMatters 8/10 stars
Rolling Stone 2.5/5 stars
Under the Radar 6/10 stars
Uncut (8/10)

Charmer is the eighth studio album by singer-songwriter Aimee Mann, released by SuperEgo Records on September 18, 2012 (see 2012 in music).

The album was produced by Mann's bassist, Paul Bryan, and features a guest appearance by The Shins frontman James Mercer, who duets with Mann on the track "Living a Lie." It debuted on the Billboard 200 at #33.

Laura Linney and John Hodgman star in the music video for the first single, "Charmer."

The video for the second single, "Labrador," is a shot-for-shot remake of the video for "Voices Carry," the 1985 hit of Mann's former band, 'Til Tuesday, with the exception of Town Hall replacing Carnegie Hall.

Charmer so far has a score of 73 out of 100 from Metacritic based on "generally favorable reviews".Jody Rosen, in Rolling Stone magazine, criticized its lyrics and production concluding "[T]here's little new here, and even less charm".Allmusic, however, was more positive, citing its hooks as "spiky and precise", and concluding that it was "an immediate, engaging pop record".

Other reviews are positive: Filter gave the album a score of 84% and stated that "Thirty years in, Mann continues to charm, a hidden glint in her eye."Mojo gave the album four stars out of five and called it "an Americana and power-pop confection with piano and tasteful guitars swaddled in the choicest vintage tones."The Independent gave it a favorable review and called it "Another sweet viper's bite of post-Freudian dyspepsia from the singersongwriter who loves to mistrust."Paste gave it a score of 7.8 out of ten and stated: "The simple fact that Aimee Mann continues writing songs around these distressing observations and putting them out on such achingly beautiful records seems proof that-despite all the twisted, cutting truths she's spied under the lens of her artistic microscope--she still somehow clings to the sable cloud's silver flash."The A.V. Club gave it a B and said that Mann "is able to match her ideas to music with real kick."


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