Charlie and his Orchestra

Charlie and his Orchestra (also referred to as the "Templin band" and "Bruno and His Swinging Tigers") were a Nazi-sponsored German propaganda swing band. Jazz music styles were seen by Nazi authorities as rebellious but, ironically, propaganda minister Joseph Goebbels conceived of using the style in shortwave radio broadcasts aimed at the United States and (particularly) the United Kingdom.

British listeners heard the band every Wednesday and Saturday at about 9 pm. The importance of the band in the propaganda war was underscored by a BBC survey released after World War II, which indicated that 26.5 percent of all British listeners had at some point heard programmes from Germany. The German Propaganda Ministry also distributed their music on 78 rpm records to POW camps and occupied countries.

During the 1930s there was a great demand in Germany for jazz music, especially swing (which included elements of the big band sound). However, such African and American influences were viewed as counter to goals of German racial purity; by 1935 they were outlawed, and the Nazis informally labeled it as Negermusik. An underground jazz scene, however, persisted in Berlin. Here bandleader Lutz Templin and drummer Fritz Brocksieper brought together key swing figures of the late 1930s, including singer Karl Schwedler ("Charlie"), clarinetist Kurt Abraham and trombone player Willy Berking. They escaped notice by pasting pro-German lyrics over sheet music and using instruments like harpsichords for boogie-woogie rhythms.

Goebbels recognized that both art and propaganda were meant to bring about a spiritual mobilization in its audience, and was well aware of the popularity of swing and big band music in Allied countries. He gave permission to bring Berlin's best jazz musicians into the music-propaganda program, and in 1940 Charlie and his Orchestra was born.

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