Charles Fechter
| Charles Fechter | |
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Charles Fechter as Hamlet, 1872.
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| Born |
Charles Albert Fechter October 23, 1824 London, United Kingdom |
| Died | September 5, 1879 (aged 54) Quakertown, Pennsylvania, United States |
Charles Albert Fechter (23 October 1824 – 5 August 1879) was an Anglo-French actor.
Fechter was born, probably in London, of French parents, although his mother was of Piedmontese and his father of German extraction.
As a boy he had ambitions to be a sculptor but discovered his talent accidentally while appearing in some private theatricals. In 1841 he joined a travelling company that was going to Italy. The tour was a failure, and the company broke up; Fechter returned home and resumed the study of sculpture. At the same time he attended classes at the Conservatoire with the view of gaining admission to the Comédie-Française. Late in 1844 he won the grand medal of the Académie des Beaux-Arts with a piece of sculpture, and made his debut at the Comédie-Française as Seide in Voltaire's Mahomet and Valère in Molière's Tartuffe. He acquitted himself with credit; but, tired of the small parts he found himself condemned to play, returned again to his sculptor's studio in 1846.
In the same year he was invited to appear with a French company in Berlin, where he made his first decisive success as an actor. On his return to Paris in the following year he married the actress Eléonore Rabut (d. 1895). Previously he had appeared for some months in London, in a season of French classical plays given at the St James's Theatre. In Paris for the next ten years he fulfilled a series of successful engagements at various theatres, his chief triumph being his creation at the Vaudeville on 2 February 1852 of the part of Armand Duval in La Dame aux camélias. For nearly two years (1857–1858) Fechter was manager of the Odéon, where he produced Tartuffe and other classical plays.
Having received tempting offers to act in English at the Princess's Theatre, London, he made a diligent study of the English language, and appeared there on 27 October 1860 in an English version of Victor Hugo's Ruy Blas. This was followed by The Corsican Brothers and Don César de Bazan; and on 20 March 1861, he attempted Hamlet for the first time. The result was an extraordinary triumph, the play running for 115 nights. This was followed by Othello, in which he played alternately the Moor and Iago. In 1863 he became lessee of the Lyceum Theatre, which he opened with The Duke's Motto; this was followed by The King's Butterfly, The Mountebank (in which his son Paul, a boy of seven, appeared), The Roadside Inn, The Master of Ravenswood, The Corsican Brothers (in the original French version, in which he had created the parts of Louis and Fabian dei Franchi) and The Lady of Lyons.
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