Charles-Antoine Cambon
| Charles-Antoine Cambon | |
|---|---|
Charles-Antoine Cambon (1802-1875). Undated photograph by Bernier.
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| Born |
21 April 1802 Paris, |
| Died | 22 October 1875 (aged 73) Paris, |
| Nationality | French |
| Education | Pierre-Luc-Charles Ciceri |
| Known for | scenographer |
| Style | Romanticism |
| Awards | Chevalier de la Légion d'honneur |
Charles-Antoine Cambon (21 April 1802 Paris – 22 October 1875 Paris) was a French scenographer who acquired international notoriety in the Romantic Era.
Little biographical information exists on Cambon's early years, other than that he would have been active as an aquarelle and sepia artist before studying with Pierre-Luc Charles Ciceri. At Ciceri's workshop Cambon made acquaintance with Humanité-René Philastre, who would become his first long-term associate.
As a stage design for a "Salon" at the Bibliothèque-Musée de l'Opéra testifies, Philastre and Cambon started collaborating in 1824 at the latest. From that time until 1848, Philastre and Cambon accepted numerous joint commissions for theatrical interior decorations and stage designs. Thus, they decorated the interiors of venues in Angoulême, Antwerp, Beaune, Brest, Choiseul, Dijon, Douai, Ghent, Lille, Lyon, Paris and Rouen, often providing complete machineries as well. Philastre and Cambon also designed productions – or portions thereof, as was customary back then – for Paris (Académie Royale de Musique, Ambigu, Bouffes-Parisiens, Cirque Olympique, Comédie-Française, Délassements-Comiques, Folies-Dramatiques, Porte Saint-Martin), Antwerp (Théâtre Royal Français), Barcelona (Liceu) and Ghent (Grand Théâtre) that created the blueprint for grand opéra and romantic scenography in Europe. Notable stagings to which Philastre and Cambon contributed are the world premieres of Auber's Gustave III, ou Le bal masque (1833), Berlioz' Benvenuto Cellini (1838), Donizetti's La favorite (1840), Halévy's La juive (1835), and Hugo's Les Burgraves (1843).
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