Vlaamse Opera

The Vlaamse Opera (Flemish Opera) is an opera company in Belgium directed by Aviel Cahn which operates in two different opera houses in two Flemish cities, the Vlaamse Opera Antwerpen at Van Ertbornstraat 8 and the Vlaamse Opera Ghent at Schouwburgstraat 3. However, the company shares one orchestra, choir, technical team, etc. The organization is mainly financed by the Flemish government and the city councils of Antwerp and Ghent.

In its current form, the company was created in 1996 as a successor to the Flemish Opera Foundation (Vlaamse Opera Stichting, which had existed since 1988), and the Opera for Flanders (Opera voor Vlaanderen, which had existed since 1981). Both former institutions were similar fusions between the former opera houses of Antwerp and Ghent. Since the fusion in 1981, the company has been giving performances in two different historic theatres.

The first public opera performances in Antwerp date back to 1661. Performances took place on the stage of the Schouwburgh van de Oude Voetboog (Theatre of the Guild of Crossbowmen) at the Grote Markt. The theatre gradually lost its popular Flemish character as French artists were engaged and the performances were no longer performed in the local (Dutch) language, but in French, the adopted language of the Flemish elite.

In 1709 a new theatre was installed in the "Tapissierspand", a former covered market for tapestry where alternately Italian and French operas were performed. The new auditorium burnt down in 1746 and was replaced by a new "Grand Théâtre" which opened in 1753. During the period of the United Kingdom of the Netherlands, the theatre was promoted to "Théâtre Royal". At that time the old theatre was already in decay and it became too small to house the growing public. Plans were made to tear down the old building and to replace it by a new and more prestigious building. In 1829 the last performance was given in the "Tappisierspand".

The new theatre opened after the Belgian revolution in 1834. (This building is now known as the Bourlaschouwburg and is used today for regular theatre performances.) The French repertoire (and, to a lesser extent, the Italian repertoire in French translation) continued to dominate.

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