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Chapayev and Void


Chapayev and Pustota (Russian: Чапаев и Пустота), known in the US as Buddha's Little Finger and in the UK as Clay Machine Gun, is a novel by Victor Pelevin first published in 1996. A film adaption, Buddha's Little Finger by Tony Pemberton, was released in 2015.

The novel is written as a first-person narrative of Pyotr Pustota (English: Pyotr Voyd) and in the introduction to this book it is claimed that unlike Dmitriy Furmanov's book Chapayev, this book is the truth.

The book is set in two different times — after the October Revolution and in modern Russia. In the post-revolutionary period, Pyotr Pustota is a poet who has fled from Saint Petersburg to Moscow and who takes up the identity of a Soviet political commissar and meets a strange man named Vasily Chapayev who is some sort of an army commander. He spends his days drinking samogon, taking drugs and talking about the meaning of life with Chapayev.

Every night (according to his post-revolutionary life) Pustota has nightmares about him being locked up in a psychiatric hospital because of his beliefs of being a poet from the beginning of the century. He shares the room in the hospital with three other men, each with his very individual form of fake identity.

Until the end of the book it isn't perfectly clear, which of Pyotr's identities is the real one and whether there is such a thing as a real identity at all.

Pyotr is an unpolitical monarchist poet who is fleeing from the authorities. After murdering his former schoolmate chekist commander von Ernen he takes up von Ernen's checkist name Fanerny. Apartment he meets Chapayev and after a revolutionary performance which Pyotr does in a cabaret as Fanerny he is approached by Chapayev. Chapayev tells him that Pyotr (or Fanerny) is transferred to the Asian Cavalry division which is commanded by Chapayev. Everything that happens to him after boarding a train with Chapayev and his niece Anna is lost from Pyotr's memory after an injury he suffers in battle. Later he learns from other characters that he had become really close with Chapayev and had found answers to many questions. Pyotr falls in love with Anna who doesn't seem to find him attractive or interesting. He spends much time talking to Chapayev who is trying to explain the illusionary nature of the world to Pyotr. Pyotr's character is based on Pyotr Semenovich Isayev who was Chapayev's assistant in real life.


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