Catastrophe Ballet
| Catastrophe Ballet | ||||
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| Studio album by Christian Death | ||||
| Released | 1984 | |||
| Recorded | 1983-1984 | |||
| Genre |
Deathrock Gothic rock Post-punk |
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| Label | Contempo Records | |||
| Producer | Eric Westfall & Valor | |||
| Christian Death chronology | ||||
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| Allmusic link |   |
Catastrophe Ballet is Christian Death's second studio album. This is the first album that featured Valor Kand. Besides Rozz Williams, the lineup was completely different from Only Theatre of Pain. The popular front cover art of this album was by Serge Burner of the Ivitation Au Suicide label staff.
Catastrophe Ballet featured a change in Williams' vocal delivery. While Only Theatre of Pain and the Deathwish EP had Williams presenting a rhythmic spoken word style with an almost androgynous pitch to his voice, Catastrophe Ballet showed a richer, less harsh side to his vocal stylings, with more influence from David Bowie and Lou Reed. Rather than the occult-oriented lyrics from the first album, the singer showed a new-found interest in Surrealism and the Dada movement. Kand, Demone and Glass shared these interests, and the synergy between them helped cultivate the musical change from the old band's murky, dark punk to a more elegant, romantic strain of guitar-driven rock, though a tribalistic drumming was also added into the mix.
The album was re-released in 1987 as A Catastrophe Ballet With Rhapsody of Youth and Rain with three bonus tracks:
In 1999 it was released with live recordings of "Awake at the Wall" and "The Drowning" and a CD-Rom track with pictures.
In 2009, the album was re-released once more with an unreleased studio track entitled "Beneath his Widow" featuring Rozz Williams.
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Wikipedia