Cat and Mouse (Günter Grass book)

Cat and Mouse

Front cover of the first original German edition
Author	Günter Grass
Original title	Katz und Maus
Illustrator	Günter Grass
Cover artist	Günter Grass
Country	Germany
Language	German
Series	Danzig Trilogy
Genre	Novel
Publisher	Luchterhand
Publication date	1963
Media type	Print (Hardback & Paperback)
Preceded by	The Tin Drum
Followed by	Dog Years

Cat and Mouse, published in Germany in 1961 as Katz und Maus, is a novella by Günter Grass, the second book of the Danzig Trilogy, and the sequel to The Tin Drum. It is about Joachim Mahlke, an alienated only child without a father. The narrator Pilenz "alone could be termed his friend, if it were possible to be friends with Mahlke" (p. 78); much of Pilenz's narration addresses Mahlke directly by means of second-person narration. The story is set in Danzig (Gdańsk) around the time of the Second World War and Nazi rule.

The narrator describes the character "The Great Mahlke" from their youth together through to Mahlke's disappearance near the end of the Second World War. Much of the action of the story is on a half-submerged sunken minesweeper of the Polish Navy, on which the narrator, Mahlke, and their friends meet each summer. Mahlke explores the shipwreck by diving through a hatch, and with his ever-present screwdriver salvages various items (information plaques, objects left behind by the crew, and even a gramophone) to sell or collect for himself.

Over the course of the novella Mahlke steals an Iron Cross from a visiting U-boat captain, and is expelled from school. He joins a Panzer division and himself receives an Iron Cross thanks to his successes in battle. Returning to the school from which he was expelled, however, the principal forbids him from making a speech to the students, on the grounds of his former disgrace.

The narrative in the story is often fairly incoherent. For instance, the timeline of the narration is often treated flexibly, moving from the narrator's perspective to different points within his memory of the events. There is also disunity about whether Mahlke is addressed in the second- or third-person, with Grass sometimes changing the form of address within a single sentence, possibly indicating the narrator's inability to remove his own emotions and feelings of guilt from an objective account of Mahlke.