Carol Twombly | |
---|---|
Specimens of typefaces by Carol Twombly
|
|
Born | 1959 |
Nationality | American |
Education | Rhode Island School of Design, Stanford University |
Known for | Typography, Digital fonts |
Notable work |
|
Carol Twombly (born 1959) is an American designer, best known for her type design. She worked as a type designer at Adobe Systems from 1988 through 1999, during which time she designed, or contributed to the design of, many typefaces, including Trajan, Myriad and Adobe Caslon.
Twombly retired from Adobe and from type design in early 1999, to focus on her other design interests, involving textiles and jewelry.
A biography of Twombly and her type design career by Nancy Stock-Allen was published in 2016.
Carol Twombly was born June 13, 1959 in Concord, Massachusetts. She attended and graduated from the Rhode Island School of Design (RISD) where she first studied sculpture, and later changed her major to graphic design. She credits her professors Charles Bigelow and Kris Holmes, whose studio she worked in, for her inspiration and stimulating her interest in typography. Gerard Unger, a visiting instructor at RISD during Twombly's time as a student, also influenced her work. At Stanford University Twombly was one of only five people to graduate from the short-lived digital typography program with Masters of Science degrees in computer science and typographic design.
Twombly joined Adobe in 1988. One of her first projects at Adobe was Trajan. As a designer, Twombly closely studied historical scripts for inspiration in creating digital fonts. She successfully translated Roman inscriptions—stone carvings on Trajan's column—into a modern digital design: the typeface Trajan, in 1989. She next drew upon her background as a calligrapher and interest in paleography to translate Carolingian versals, or decorative capital letters, into a digital typeface called Charlemagne (also in 1989). The specific source was a page of the Anglo-Saxon Benedictional of Saint Aethelwold in the British Library. Similarly, Twombly based Lithos on historical precedents, although more generally to ancient Greek inscriptions, rather to any specific models. Adobe marketed Trajan, Charlemange, and Lithos as "Modern Ancients." In designing Adobe Caslon, she also worked closely with the well-known eighteenth-century typeface designed by the William Caslon foundry to create a modern digital equivalent. She collaborated with Robert Slimbach to create the sans serif Myriad, her first completely original typeface design.