Carlos "Patato" Valdés
| Carlos "Patato" Valdés | |
|---|---|
| Birth name | Carlos Valdés |
| Also known as | Patato |
| Born |
November 4, 1926 Los Sitios, Centro Habana, La Habana, Cuba |
| Died | December 4, 2007 (aged 81) Cleveland, Ohio, US |
| Genres | Cuban rumba, son cubano, big band, Afro-Cuban jazz |
| Occupation(s) | Musician, bandleader, composer |
| Instruments | Congas, percussion |
| Labels | Panart, Blue Note, Verve |
| Associated acts | Armando Peraza, Mongo Santamaría, Tito Puente, Charlie Palmieri, Herbie Mann, Eugenio "Totico" Arango, The Latin Percussion Jazz Ensemble |
| Website | http://pmrecords.com/Patato.shtml |
| Notable instruments | |
| LP Patato Model Congas | |
Carlos Valdés (November 4, 1926 – December 4, 2007), better known as Patato, was a Cuban-born American conga player. In 1954 he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He invented and patented the tunable conga drum which revolutionized the use of the instrument in the US.Tito Puente once called him "the greatest conguero alive today".
Like most Cuban musicians, Carlos Valdés had several nicknames throughout his artistic career. Early on he was known as "El Toro" (The Bull) as a young dancer and boxer. In school he was known as "Patato" (Potato) due to his short stature; more despectively he was known as "Remache" and "Tampón de bañera" around his neighbourhood. While playing alongside Armando Peraza in Havana's Zombie Club, he was known as "El Zombie", "Zombito" or "Pequeño Zombie" (Little Zombie). Due to his dancing style he was known as "Pingüino" (Penguin). Nonetheless, "Patato" was the name that stuck and he carried this pseudonym to the US, where he was often miscredited as "Potato Valdez".
Carlos Valdés was born in the neighbourhood of Los Sitios in La Habana on November 4, 1926. His father, Carlos Brito Valdés, was a tres player who was part of the seminal son group Sexteto Habanero. The rest of his family included many other musicians and santeros; his cousin was the singer Francisco Fellové aka "El Gran Fellové". Carlos soon followed his father footsteps, learning to play the tres and a wide variety of percussion instruments, including the marímbula, the botija, the shekere, the tambourine, the cajón and the double bass. He became a member of the comparsa Las sultanas in which he played the congas (tumbadoras). He became a master of the instrument at a young age, playing alongside other greats such as Mongo Santamaría, Cándido Camero, Julito Collazo and Armando Peraza. The latter was his neighbour and partner in the Conjunto Kubavana led by Alberto Ruiz. He was only 18 years old when he joined this band in 1944. He left the group in 1947 to join the well-known Sonora Matancera, where he stayed for a year. From 1949 to 1954 he played for the Conjunto Casino, one of the most popular bands in La Habana at the time. In 1952, they toured New York City, where fellow drummer Cándido Camero decided to stay. Patato would make the same decision two years later.
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