Carl and the Passions – "So Tough" | ||||
---|---|---|---|---|
Studio album by The Beach Boys | ||||
Released | May 15, 1972 | |||
Recorded | December 4, 1971 – April 13, 1972 | |||
Studio | Beach Boys Studio, Los Angeles | |||
Genre | Rock, soul, blues rock | |||
Length | 34:12 | |||
Label | Brother/Reprise | |||
Producer | The Beach Boys | |||
The Beach Boys chronology | ||||
|
||||
Singles from Carl and the Passions – "So Tough" | ||||
|
Carl and the Passions – "So Tough" is the 18th studio album by American rock band the Beach Boys, released on May 15, 1972. The album is frequently considered a transitional album for the band, with the addition of Blondie Chaplin and Ricky Fataar on guitar and drums, respectively, and long-time member Bruce Johnston departing during its initial sessions.
The initial American pressings of the album included the band's 1966 studio album, Pet Sounds, as a bonus record. It has been speculated that Carl and the Passions – "So Tough" was either scheduled to be released, or re-released, as a single album. A Warner/Reprise catalogue number, MS 2090, had been assigned to this single disc release, but nothing came of it. The album was released as a standalone album in Europe on Reprise Records.
Carl and the Passions was Brian Wilson and Mike Love's high school band. This was the first album released under a new deal with Warner Bros. that allowed the company to distribute all future Beach Boys product in foreign as well as domestic markets.
In 1971, Carl Wilson, who served as the group's de facto musical director at this time, decided to spice up the structure of The Beach Boys by hiring third guitarist Blondie Chaplin, whose soulful singing brought a strong R&B element into the band's sound. Drummer and singer-songwriter Ricky Fataar also joined at this time, as Dennis Wilson had suffered a debilitating hand accident. Both South Africans, Blondie and Ricky were discovered by Carl while playing in seminal South African band the Flames in London, c. 1969. The album sees the Beach Boys entering a period of roots-based rock.
Not long after the sessions began, Bruce Johnston had a falling out with manager Jack Rieley and left the band. Conflicting reports state that Johnston either quit or was fired. According to Johnston, he quit because he was unenthusiastic about Rieley's suggestion that the group adopt a hard rock approach and felt that Brian Wilson's prolonged lack of involvement had resulted in declining artistic quality. However, Rieley claims he fired Johnston, both to prevent him from voting in the group's democratic processes and because of the supposed disrespect and contempt Johnston was showing Brian Wilson at the time. Johnston's main writing contribution, an early version of "Endless Harmony" entitled "Ten Years of Harmony", was re-recorded and eventually released in 1980 on Keepin' the Summer Alive. Johnston has said that his only musical contribution on the released album is as a background vocalist on "Marcella".