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Can I Borrow a Dollar?

Can I Borrow a Dollar?
Can I Borrow a Dollar.png
Studio album by Common Sense
Released October 6, 1992
Recorded 1991–1992
Genre Hip hop, Midwest hip hop
Length 49:34
Label Relativity
Producer
Common chronology
Can I Borrow a Dollar?
(1992)
Resurrection
(1994)Resurrection1994
Singles from Can I Borrow a Dollar?
  1. "Take It EZ"
    Released: September 4, 1992
  2. "Breaker 1/9"
    Released: January 12, 1993
  3. "Soul by the Pound"
    Released: July 13, 1993
Professional ratings
Review scores
Source Rating
Allmusic 3/5 stars
RapReviews (7/10)
Rhapsody (favorable)
The Rolling Stone Album Guide 2.5/5 stars
The Source 3.5/5 stars
WordPress (favorable)

Can I Borrow a Dollar? is the 1992 debut album by Chicago rapper Common (then known as Common Sense), released in the United States on October 6, 1992. The album was entirely produced by No I.D. (then called Immenslope) and The Twilite Tone, with addictional production by The Beatnuts. It contains guest vocals from Immenslope, Miss Jones and Common's then-girlfriend Rayshel. Entertainment Weekly's Neil Drumming described it as "a clever but little-noticed first album".

In 1991, a feature was written about Common in the Unsigned Hype section of The Source. Relativity Records soon signed Common, and prepared to release three singles for his debut album. The first and best-charting single was 1992's "Take It EZ". It reached #5 on the Hot Rap Singles chart while his next two singles, "Breaker 1/9" and "Soul by the Pound," reached #10 and #7 respectively. All of these singles combined to give Common a strong underground reputation prior to the album's release.

Can I Borrow A Dollar? shows Common's early style of rapping; namely a sing-songy and inflection-heavy vocal delivery, as well as lyrics packed with word play and popular culture allusions. The album's production, utilizing samples, keyboards, and drum breaks prominently, tends to be minimalistic, jazzy and laid back.The Source called the production top notch. Although receiving a lukewarm reception, Stanton Swihart of Allmusic considers it to have put Chicago hip hop on the map and to be an underrated debut album.


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