Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?
| Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? | |
|---|---|
| Directed by | Anthony Newley |
| Produced by |
George Fowler Anthony Newley |
| Written by | Anthony Newley Herman Raucher |
| Starring | Anthony Newley Connie Kreski Joan Collins Milton Berle George Jessel Bruce Forsyth |
| Music by | Anthony Newley (lyrics by Herbert Kretzmer) |
| Cinematography | Otto Heller |
| Edited by | Dorothy Spencer |
| Distributed by | Universal Pictures (USA) |
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Release date
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Running time
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107 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | $500,000 |
| Box office | $2.1 million (US/ Canada rentals) |
Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness? is a 1969 British musical film directed by and starring Anthony Newley.
Newley played the autobiographical title role of Merkin, an internationally successful singer approaching middle age who retells his life story in a series of production numbers on a seashore in front of his two toddlers (played by Newley's actual children) and aged mother. Merkin focuses on his promiscuous relationships with women, particularly Polyester Poontang (played by Newley's wife Joan Collins) and the adolescent Mercy Humppe (Playboy centerfold Connie Kreski).
Merkin is constantly surrounded by a Satan-like procurer, Goodtime Eddie Filth (Milton Berle), and an angelic 'Presence' (George Jessel) who interrupts Merkin's biography with cryptic Borscht Belt-level jokes to denote births and deaths in Merkin's life. Newley periodically steps out of character to complain about his 'Merkin' role with an unseen director (voiced by Newley), two screenwriters, the film's producers and a trio of blasé movie critics who are turned off by the story's eroticism and lack of plot.
In 1970 Newley and his co-writer Herman Raucher won the Writers' Guild of Great Britain Award for Best British Original Screenplay. The film's original music was written by Newley with lyrics by Herbert Kretzmer (Les Misérables). The film was controversial because it was X rated in its original release, meaning many newspapers in the US would not take advertising for it.
In 2006 the movie won a readers' poll in the Chicago Tribune as "The Worst Movie Title Ever."
The film was a commercial, and generally a critical, failure. Vincent Canby wrote in The New York Times that Newley "so over extends and overexposes himself that the movie comes to look like an act of professional suicide . . . The movie is as self-indulgent as a burp. It's also as pretentious as its form... The movie is not so free and loose as it is simply out of control." In The Sunday Times Guide to Movies on Television, Angela and Elkan Allan asked "Can Anthony Newley ever remember that he is just a pleasant light comedian and settle down to earn an unpretentious living?"Roger Ebert's review in the Chicago Sun-Times, on the other hand, praised the film's ambition: "It is strange, wonderful, original, and not quite successful. It is just about the first attempt in English to make the sort of personal film Fellini and Godard have been experimenting with in their very different ways. It is not as great as 8½ but it has the same honesty and self-mocking quality."
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