Camilla Williams

Camilla Ella Williams (October 18, 1919 – January 29, 2012) was an American operatic soprano who performed nationally and internationally. After studying with renowned teachers in New York City, she was the first African American to receive a regular contract with a major American opera company, the New York City Opera. She had earlier won honors in vocal competitions and the Marian Anderson Fellowship in 1943–44.

In 1954 she became the first African American to sing a major role with the Vienna State Opera. She later also performed as a soloist with numerous European orchestras. As a concert artist, she toured throughout the United States as well as Asia, Australia and New Zealand. In 1977, she was the first African American appointed as Professor of Voice at Indiana University, where she taught until 1997.

On October 18, 1919, Camilla Ella Williams was born in Danville, Virginia, to Fannie Carey Williams, a laundress, and Cornelius Booker Williams, a chauffeur. She was the youngest of four children. Her siblings were Mary, Helen, and Cornelius. Williams grew up in a poor neighborhood with music as an important part of her family. Even her grandfather, Alexander Carey, was a choir leader and singer. Her parents instilled an appreciation for music, church, and education during her childhood. By the age of eight, Camilla enjoyed playing the piano, and singing at school and Danville's Calvary Baptist Church.

Williams trained at Virginia State College, now Virginia State University, and received her bachelor's degree in music education. After her college education, she was awarded a scholarship to study music in Philadelphia with a prestigious voice instructor, Marion Szekely Freschl. She earned a Marian Anderson Award in 1943 and 1944, and she continued to receive honors in vocal competitions.

Beginning in 1944, Williams performed on the coast-to-coast RCA radio network. In 1946 she was the first African American to receive a regular contract with a major American opera company, making her debut with the New York City Opera in the title role in Puccini's Madama Butterfly. Her performance was hailed by the New York Times critic as "an instant and pronounced success." During the next six years, she performed Nedda in Leoncavallo's Pagliacci, Mimi in Puccini's La bohème, and the title role in Verdi's Aida.

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