Build God, Then We'll Talk
| "Build God, Then We'll Talk" | ||||
|---|---|---|---|---|
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| Single by Panic! at the Disco | ||||
| from the album A Fever You Can't Sweat Out | ||||
| B-side | "Build God, Then We'll Talk (Live in Denver)" | |||
| Released | March 26, 2007 | |||
| Format | Digital download | |||
| Recorded | 2005 | |||
| Genre | Pop punk, baroque pop | |||
| Length | 3:40 | |||
| Label | Decaydance, Fueled by Ramen | |||
| Writer(s) | Ryan Ross, Brendon Urie, Spencer Smith | |||
| Producer(s) | Matt Squire | |||
| Panic! at the Disco singles chronology | ||||
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"Build God, Then We'll Talk" is the fifth and final official single from Panic! at the Disco's 2005 album A Fever You Can't Sweat Out, including the radio-only single "The Only Difference Between Martyrdom and Suicide Is Press Coverage".
The song is the final song on Panic! at the Disco's debut album A Fever You Can't Sweat Out.
The bridge melody of "Build God, Then We'll Talk" is a derivative of the melody of the chorus of "My Favorite Things" from The Sound of Music. The lyrics in the bridge also directly satirize the lyrics of "My Favorite Things".
Panic! did not play the song on the Honda Civic Tour in 2008 following the release of Pretty. Odd., their second album, nor on the Rock Band Live Tour. The song was, however, performed live in Denver and covered in the studio by the Vitamin String Quartet on the album Strung Out! The String Quartet Tribute to Panic! at the Disco.
The video director is unknown, but rumoured to be Andy Soup. The music video depicts the story of a "pornomime" and a girl who falls in love after she watches one of his performances. Their relationship is a mimed one. Both "relationships" encompass a false feeling of intimacy and are essentially devoid of meaning.
The mime and his girlfriend both walk in on each other having affairs (mimed, of course), again symbolizing the emptiness of their mimed relationships. They are not having sex with real people—it is an illusion. The video is the first from the band to be web-exclusive, mostly because they felt it was too vulgar for television, but it aired on MTV2 in the UK and on A1 in Russia. It was also available on Music Choice On-Demand.
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