Bubblegum pop
| Bubblegum pop | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 1960s, United States |
| Typical instruments | |
| Derivative forms | |
| Local scenes | |
| Eurovision Song Contest - Camp (style) - Pop Idol - Teenybopper | |
Bubblegum pop (also known as bubblegum music or simply bubblegum) is a genre of pop rock music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, that may be produced in an assembly-line process, driven by producers and often using unknown singers. Bubblegum's classic period ran from 1967 to 1972. A second wave of bubblegum started two years later and ran until 1977 when disco took over and punk rock emerged.
The genre was predominantly a singles phenomenon rather than an album-oriented one. Because many acts were manufactured in the studio using session musicians, a large number of bubblegum songs were by one-hit wonders. Among the best-known acts of bubblegum's golden era are 1910 Fruitgum Company, The Ohio Express and The Archies, an animated group which had the most successful bubblegum song with "Sugar, Sugar", Billboard Magazine's No. 1 single for 1969. Singer Tommy Roe, arguably, had the most bubblegum hits of any artist during this period, notably 1969's "Dizzy".
The chief characteristics of the genre are that it is pop music contrived and marketed to appeal to pre-teens and teenagers, is produced in an assembly-line process, driven by producers, often using unknown singers, and has an upbeat sound. The songs typically have singalong choruses, seemingly childlike themes and a contrived innocence, occasionally combined with an undercurrent of sexual double entendre. Bubblegum songs are also defined as having a catchy melody, simple chords, simple harmonies, dancy (but not necessarily danceable) beats, repetitive riffs or "hooks" and a vocally-multiplied refrain. The song lyrics often feature themes of romantic love and personal happiness, with references to sunshine, platonic love, toys, colors, nonsense words, etc. They are also notable for their frequent reference to sugary food, including sugar, honey, butterscotch, jelly and marmalade. Cross-marketing with cereal and bubblegum manufacturers also strengthened the link between bubblegum songs and confectionery. Cardboard records by The Archies, The Banana Splits, The Jackson 5, The Monkees, Bobby Sherman, Josie and the Pussycats, H.R. Pufnstuf and other acts were included on the backs of cereal boxes in the late 1960s and early 1970s, while acts including The Brady Bunch had their own brands of chewing gum as a result of licensing deals with TV networks and record companies.
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