Bruno Dumont
| Bruno Dumont | |
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Bruno Dumont at the London Film Festival circa 2010
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| Born |
March 14, 1958 Bailleul, Nord, France |
| Nationality | French |
| Occupation | Film director, screenwriter |
Bruno Dumont (French: [dymɔ̃]; born 14 March 1958) is a French film director and screenwriter. To date, he has directed seven feature films, all of which border somewhere between realistic drama and the avant-garde. His films have won several awards at the Cannes Film Festival. Two of Dumont's films have won the Grand Prix award: both L'Humanité (1999) and Flandres (2006). Dumont's Hadewijch won the 2009 Prize of the International Critics (FIPRESCI Prize) for Special Presentation at the Toronto Film Festival.
Dumont has a background of Greek and German (Western) philosophy, and of corporate video. His films often show the ugliness of extreme violence and provocative sexual behavior, and are usually classified as art films. Dumont has himself likened his films to visual arts, and he typically uses long takes, close-ups of people's bodies, and story lines involving extreme emotions. Dumont does not write traditional scripts for his films. Instead, he writes complete novels which are then the basis for his filmmaking.
He says that some of his favorite filmmakers are Stanley Kubrick, Ingmar Bergman, Pier Paolo Pasolini, Roberto Rossellini, and Abbas Kiarostami. He is frequently considered an artistic heir to Robert Bresson.
His—extremely divisive—work has been connected to a recent French cinéma du corps/cinema of the body, encompassing contemporary films by Claire Denis, Marina de Van, Gaspar Noé, Diane Bertrand, and François Ozon, among others. According to Tim Palmer, this trajectory includes a focus on states of corporeality in and of themselves, independent of narrative exposition or character psychology. In a more pejorative vein, James Quandt has also talked of some of this group of filmmakers, as the so-called New French Extremity.
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