Bobby Harron
| Robert Harron | |
|---|---|
 |
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| Born |
Robert Emmett Harron April 12, 1893 New York City, New York, U.S. |
| Died | September 5, 1920 (aged 27) Manhattan, New York City, New York, U.S. |
| Cause of death | Self-inflicted gunshot wound (accident) |
| Resting place | Calvary Cemetery |
| Nationality | American |
| Other names | Bobby Harron |
| Occupation | Actor |
| Years active | 1907–1920 |
| Relatives |
John Harron (brother) Mary Harron (sister) |
Robert Emmett "Bobby" Harron (April 12, 1893 – September 5, 1920) was an American motion picture actor of the early silent film era. Although he acted in over 200 films, he is known for his roles in the D.W. Griffith directed films The Birth of a Nation (1915) and Intolerance (1916).
Harron was the older brother of film actors John Harron and Mary Harron.
Born in New York City, Harron was second oldest child of nine siblings in a poor, working-class Irish Catholic family. Harron's younger siblings John (nicknamed "Johnnie"), Mary and Charles also became actors while one of his younger sisters, Tessie, was an extra in silent films. Charles was killed in a car accident in December 1915. Tessie died of Spanish influenza in 1918 while Harron's brother John died of spinal meningitis in 1939.
Harron attended the Saint John Parochial School in Greenwich Village. At the age of fourteen, he found work as an errand boy at American Biograph Studios. In addition to cleaning duties, Harron also appeared as an extra in a few shorts for Biograph.
Within a year of working for Biograph, Harron was noticed by newly hired director D.W. Griffith. Harron quickly became a favorite of Griffith and Griffith began to give the 14-year-old increasingly larger film roles. His first film for Griffith was the 1909 short crime drama The Lonely Villa. The teenaged Harron was often cast by Griffith in the role of the "sensitive" and "naïve" boy, who was overwhelmingly sympathetic and appealing to American film-goers in the very early years of American motion pictures and not far removed from Harron's real-life persona; Harron was often described as a quiet and soft-spoken youth. It was these traits that helped garner much public interest in the young actor, especially amongst young female fans. In 1912 alone, Robert Harron appeared in nearly forty films at Biograph.
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