Bitches Brew Live
| Bitches Brew Live | ||||
|---|---|---|---|---|
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| Live album by Miles Davis | ||||
| Released | February 8, 2011 | |||
| Recorded | July 5, 1969, at the Newport Jazz Festival & August 29, 1970, at the Isle of Wight Festival | |||
| Genre | Jazz, rock, funk, avant-garde | |||
| Length | 59:44 | |||
| Label | Sony/Legacy | |||
| Producer | Original Recordings Produced by Teo Macero. Produced for Release by Richard Seidel and Michael Cuscuna | |||
| Miles Davis chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| All About Jazz |   |
| AllMusic | |
| Goldmine | |
| The Independent | |
| Jazzwise | |
| PopMatters | 7/10 |
Bitches Brew Live is a live album by Miles Davis. The album was released in February 2011, and contains material compiled from two concert performances. Most of the songs on the album originally appeared on Bitches Brew. The first three tracks were recorded at the Newport Jazz Festival in July 1969, nine months before release of Bitches Brew, while the rest of the album was recorded at 1970 Isle of Wight Festival. The three cuts from Newport -- "Miles Runs the Voodoo Down," "Sanctuary," and "It's About That Time/The Theme"—are previously unreleased. This recording marks the first known time that "Miles Runs the Voodoo Down" was professionally recorded. The final six cuts appeared on the box set Miles Davis: The Complete Columbia Album Collection, but have not been widely circulated.
The band on the tracks recorded at Newport includes Davis, Chick Corea, Dave Holland, and Jack DeJohnette. Wayne Shorter missed this date because of traffic into Newport, so the group performed as a quartet. The group for the Isle of Wight concert featured Davis, Corea, Holland, DeJohnette, saxophonist Gary Bartz, Keith Jarrett on RMI Electronic Piano, and percussionist Airto Moreira.
AllMusic editor Thom Jurek deemed Bitches Brew Live "essential" for "Davis fans", writing that "it's inspired, full of surprise twists and turns, and showcases the artist at a high point of both creativity and energy." Jurek praised the band members' performances and wrote of Davis' playing, "Despite electricity and the beginning of the vamp style he would perfect later, his trademark lyricism as a soloist is ever present."David Fricke from Rolling Stone said, "Davis was moving – and documenting that motion – faster than most folks, rock or jazz, in that crowd realized." Andy Gill of The Independent commented that the concerts featured on the album "capture Davis on the cusp of creating another jazz revolution" and described its music as "jazz reconstituting after meltdown, like a butterfly emerging from a chrysalis: free-wheeling, edgy, unpredictable and coruscating, and about as hot as this legend of cool ever got."
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