The Centre for Contemporary Cultural Studies (CCCS) was a research centre at the University of Birmingham, England. It was founded in 1964 by Richard Hoggart, its first director. Its object of study was the then new field of cultural studies.
The Centre was the focus for what became known as the Birmingham School of Cultural Studies, or, more generally, British cultural studies. Birmingham School theorists such as Stuart Hall emphasized the reciprocity in how cultural texts, focusing on the idea of Encoding/Decoding even mass-produced products are used, questioning the valorized division between "producers" and "consumers" that was evident in cultural theory such as that of Theodor Adorno and the Frankfurt School.
Some areas studied by the Birmingham Centre and those associated with it include subculture, popular culture, and media studies. The Centre, and the theorists associated with it, tend to take an interdisciplinary approach to the study of culture, incorporating diverse elements such as Marxism, post-structuralism, feminism, and critical race theory, as well as more traditional methodologies such as sociology and ethnography. The Birmingham Centre studied representations of various groups in the mass media and evaluated the effects and interpretations of these representations on their audience.
The Centre produced many key studies and developed the careers of prominent researchers and academics. Stuart Hall, who became the centre's director in 1968, developed his seminal Encoding/Decoding model here. Of special importance is the collective research that led to Policing the Crisis (1978), a study of law and order campaigns that focused on "mugging" (a code for street violence). This anticipated many of the law and order themes of Margaret Thatcher's Conservative government in the 1980s. Other noted Centre books include 'Off-Centre: Feminism and Cultural Studies'; 'Resistance through Rituals'; 'The Empire Strikes Back'; 'Border Patrols: Policing the Boundaries of Heterosexuality'.