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Birgit Nilsson


Birgit Nilsson (17 May 1918 – 25 December 2005) was a celebrated Swedish dramatic soprano who specialized in operatic works of Wagner and Richard Strauss, though she sang the operas of many other composers, including Verdi and Puccini. Her voice was noted for its overwhelming force, bountiful reserves of power, and the gleaming brilliance and clarity in the upper register.

Nilsson made such strong imprints on many roles that they came to be known as the "Nilsson repertory". She sang the operas of Richard Strauss and made a specialty of Puccini's Turandot, but it was the music of Wagner that made her career. She once said that Isolde made her famous and Turandot made her rich. Her olympian command of his music was comparable to that of Kirsten Flagstad, who owned the Wagner repertory at the Metropolitan Opera during the years before World War II.

Birgit Nilsson was born Märta Birgit Svensson on a farm at Västra Karup in Skåne (100 km/60 miles north of Malmö) to Nils Svensson and Justina Svensson née Paulsson. When she was three years old she began picking out melodies on a toy piano her mother bought for her. She once told an interviewer that she could sing before she could walk, adding, "I even sang in my dreams". Her vocal talent was first noticed when she began to sing in her church choir. A choirmaster near her home heard her sing and advised her to take voice lessons.

She studied with Ragnar Blennow in Åstorp for six months to prepare for an audition at the Royal Academy of Music in where she came in first out of a group of 47 singers and awarded the Christina Nilsson scholarship named for the famous soprano. Märta Birgit Svensson combined her middle name with Nilsson to form her new stage name. Her teachers at the Academy were Joseph Hislop and Arne Sunnegårdh. However, she considered herself self-taught: "The best teacher is the stage", she told an interviewer in 1981. "You walk out onto it, and you have to learn to project." She deplored her early instruction and attributed her success to native talent. "My first voice teacher [Hislop] almost killed me ... [T]he second was almost as bad."


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