Birdland Jazz Club

Birdland is a jazz club started in New York City on December 15, 1949. The original Birdland, which was located at 1678 Broadway, just north of West 52nd Street in Manhattan, was closed in 1965 due to increased rents, but it re-opened for one night in 1979. A revival began in 1986 with the opening of the second nightclub by the same name that is now located in Manhattan's Theater District, not far from the original nightclub's location. The current location is in the building next to The New York Observer headquarters.

1678 Broadway, below the street level

Irving Levy (1923–1959), Morris Levy, and Oscar Goodstein – along with six other partners – purchased the venue in 1949 from Joseph "Joe the Wop" Catalano. They adopted the name "Birdland" to capitalize on the popularity of their regular headliner Charlie "Yardbird" Parker, who, at that time, had been enjoying undisputed popularity as a jazz artist.

The club was originally scheduled to open on September 8, 1949, but this was put back to December 15 following difficulties in getting a liquor license. The opening night was "A Journey Through Jazz", consisting of various styles of the music up to that point, played by "Maxie Kaminsky, Hot Lips Page, Lester Young, Charlie Parker, Harry Belafonte, Stan Getz, and Lennie Tristano, in that order."

Parker, in reality, played very few jobs at Birdland, not because he was troublesome (from drug addiction), but, according to Gene Ramey, Goodstein said, "He was continually wanting money." Ramey had persuaded Goodstein to let Parker perform at Birdland with his band on a pair of Monday nights in 1954.

The neon sign at the front of the club read, "Birdland, Jazz Corner of the World". The venue seated 500 people and had space for a full orchestra. It had a long bar, tables, booths, and a fenced-in bullpen — a drinkless area, nicknamed "the peanut gallery", where teenagers were sometimes allowed to watch. Irving Levy and Morris Levy were the main owners but the club was operated by Oscar Goodstein, who took tickets and tended the bar. In the late 50s, he moved his post to the back hallway where he could compare the trays from the kitchen with the order tickets. Some lucky few could spend the wee hours chatting with him and reading letters musicians like Charlie Mingus sent him. Goldstein called Mingus a prolific writer.So What; The Life and Times of Miles Davis, p. 92, Simon & Schuster (2001) OCLC 50123549 ISBN  ISBN  ISBN  ISBN  ISBN  ISBN </ref> The name was carried through into the feature of caged finches inside the club.

...
Wikipedia