Bird in Space
 Smarthistory - Brancusi's Bird in Space
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Bird in Space (L'Oiseau dans l'espace) is a series of sculptures by Romanian sculptor Constantin Brâncuși. The original work was created in 1923. It was sold in 2005 for $27.5 million, at the time a record price for a sculpture sold in an auction. The original title in Romanian is Pasărea în văzduh.
In the Bird in Space works, Brâncuși concentrated not on the physical attributes of the bird, but instead on its movement. The bird's wings and feathers are eliminated, the swell of the body is elongated, and the head and beak are reduced to a slanted oval plane.
Seven of the sculptures in the series are made of marble, while the other nine were cast in bronze. The first and best known of the series is housed in the Metropolitan Museum of Art in New York City, while two bronze casts (1928 and c.1941) reside in that city's Museum of Modern Art. Two versions of the sculpture, one bronze (1924) and one marble (1923–1924), are housed in the Philadelphia Museum of Art. A 1926 bronze is on display at the Seattle Art Museum. Two more bronze casts (1925–1926 and 1927) are on display at the Los Angeles County Museum of Art and a 1931 bronze cast is housed at the Norton Simon Museum of Art in Pasadena, California. Another bronze of unknown casting date resides in the Peggy Guggenheim Collection in Venice, Italy, and the National Gallery of Australia in Canberra owns two marbles, both c.1931-1936, one white and one black.
In 1926-27, Bird in Space was the subject of a court battle over its taxation by U.S. Customs. In October 1926, Bird in Space, along with 19 other Brâncuși sculptures, arrived in New York harbor aboard the steamship Paris. While works of art are not subject to custom duties, the customs officials refused to believe that the tall, thin piece of polished bronze was art and so imposed the tariff for manufactured metal objects, 40% of the sale price or about $230 (over $3130 in 2016 U.S. dollars). Marcel Duchamp (who accompanied the sculptures from Europe), American photographer Edward Steichen (who was to take possession of Bird in Space after exhibition), and Brâncuși himself were indignant; the sculptures were set to appear at the Brummer Gallery in New York City and then the Arts Club in Chicago. Under pressure from the press and artists, U.S. customs agreed to rethink their classification of the items, releasing the sculptures on bond (under "Kitchen Utensils and Hospital Supplies") until a decision could be reached. However, customs appraiser F. J. H. Kracke eventually confirmed the initial classification of items and said that they were subject to duty. Kracke told the New York Evening Post that "several men, high in the art world were asked to express their opinions for the Government.... One of them told us, 'If that's art, hereafter I'm a bricklayer.' Another said, 'Dots and dashes are as artistic as Brâncuși's work.' In general, it was their opinion that Brâncuși left too much to the imagination." The next month, Steichen filed an appeal to the U.S. Customs' decision.
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