Biosphere (musician)
| Biosphere | |
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| Background information | |
| Birth name | Geir Jenssen |
| Also known as | Bleep, Cosmic Explorer, E-Man |
| Born | May 30, 1962 |
| Origin | Tromsø, Norway |
| Genres | Ambient techno, drone, ambient house, ambient |
| Occupation(s) | Producer |
| Instruments | Electronic keyboard, synthesizer |
| Years active | 1983–present |
| Labels | Beatservice Records, Touch, Biophon Records, Apollo, Origo Sound, SSR Records, Rune Grammofon, Smalltown Supersound |
| Associated acts |
Higher Intelligence Agency Bel Canto |
| Website | www |
Biosphere is the main recording name of Geir Jenssen (born 30 May 1962), a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.
Jenssen was born on May 30, 1962, in Tromsø, a city within the Arctic Circle in the northernmost portion of Norway. He was inspired by the music of artists such as New Order, Depeche Mode, Wire, and Brian Eno, which he described as "like discovering a new universe—a universe which I wanted to be a part of". In 1983, he bought his first synthesizer and composed his first piece of music, taking influence from his archaeological studies, later stating "Studying the Ice Age and Stone Age has definitely influenced my music." In 1984 Jenssen issued his first album, Likvider, released on cassette only and credited to E-man.
In 1985, Jenssen was part of the newly created Norwegian moody synth trio Bel Canto with Nils Johansen and singer Anneli Drecker. The band signed with Belgian label Crammed Discs and to Nettwerk in North America, and relocated to Brussels. Jenssen, however, soon returned to Tromsø, collaborating with the other band members by post, and continuing with his solo work. Bel Canto released two albums while Jenssen was a member, White-Out Conditions and Birds of Passage. In 1990, he left the band in order to pursue a different music style altogether, and began using a sampler.
Throughout the late 1980s, Jenssen used the moniker Bleep, under which he produced various 12" records, now releasing records via the Crammed Discs subsidiary SSR. His early influences were from acid house and New Beat music. Released in 1990, The North Pole by Submarine was the only album recorded as Bleep. Further singles followed in 1990 and 1991 before Jenssen abandoned the Bleep moniker and again changed musical direction.
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