Beulah Marie Dix | |
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Theatre Magazine, January, 1915
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Born |
Kingston, Massachusetts, United States |
January 24, 1876
Died | September 25, 1970 Woodland Hills, Los Angeles, California, United States |
(aged 94)
Other names | Beulah Marie Flebbe |
Occupation | Screenwriter |
Years active | 1917-1942 |
Beulah Marie Dix (January 24, 1876 – September 25, 1970) was an American screenwriter of the silent and sound film eras, and an author of children's books. She wrote for over 55 films between 1917 and 1942. Dix married G. H. Flebbe at St. John’s Chapel in Boston, Massachusetts on May 6, 1910.
Beulah Marie Dix was born in Kingston, Massachusetts and was the daughter of Henry and Maria Dix. Shortly after Dix was born her family moved to Plymouth, Massachusetts which ultimately became a reoccurring setting for many of Beulah’s plays and novels. Not long after Dix’s 16th birthday, her family moved to Chelsea, Massachusetts where she graduated top of her high school class. Dix went on to study History and English at Radcliffe College in Cambridge, Massachusetts graduating with Summa Cum Laude Dix used these two subjects as her main focal point when writing plays and essays, such as: Thirty Years' War, The Boston Tea Party, and Seventeenth-Century England. Beulah’s was also recognized as the first female recipient of the Sohier Literary Prize, which is an award given to either a Harvard or Radcliffe student who composes the best thesis.
Although Dix relied heavily on historically famous military events when it came to composing her children’s books, plays, and novels, she was a very pacifistic person in real life. Eventually, as her career progressed as a novelist, she strayed away from historical romances and began to write anti-war novels. Dix took a stand against violence and with America on the brink of World War I, she published two anti-war plays, Across the border and Moloch. Dix took full advantage of these plays by placing the main characters into a moral conundrum that questioned whether or not “they did anything to stop it.”
Growing up Dix never found the need to seek any sort of feminine companionship. As a self-proclaimed tomboy, Dix admitted that most of her main characters were little boys because “they are more exciting than little girls.” Nevertheless, she did take time to thank two very influential women in her life. Evelyn Sutherland was a well establish female figure in the Boston society. Together they collaborated on plays such as The Breed of the Treshams, The Substitute and The Road to Yesterday. These plays where created using the male pseudonym (John Rutherford) in order to remain appealing to audiences during this time. The other woman in Dix’s life was her agent, Beatrice de Mille. De Mille was the mother of famous film directors, William de Mille and Cecil B. de Mille, which is how Dix found her way out to Hollywood. In 1916 on a trip out to California to visit de Mille, Dix decided to stay. With the outbreak of Polio and the start of World War I, Dix thought it would be in her best interest to stay on the west coast., Dix’s professional experiences as a playwright allowed her to transition easily into screenwriting. She began her screenwriting career for the silver screen and respected screen director William de Mille.