Berlin Blondes

Berlin Blondes
Origin	Glasgow, Scotland
Genres	Synthpop
Years active	1978–1981
Labels	EMI, Scratch
Associated acts	Altered Images, Cuban Heels, Endgames

Berlin Blondes were an early Glasgow New wave/synthpop group who formed in 1978 and released an album in 1980 on major label EMI. The band were influenced and inspired by Kraftwerk, Roxy Music and 'Berlin period' Bowie as witness their covering "Funtime", [1] "Sister Midnight" and Kraftwerk's "The Model"[2] as well as playing their own material. They built up a substantial following of fans, in and around Glasgow, due to their stylish live performances both as support act to bands like fellow Glaswegians Simple Minds, and as headliners in their own right of such venues as Glasgow's famous "Mars Bar". Positive Noise founder & frontman Ross Middleton was an early fan, enthusing "Berlin Blondes are Fireball XL5" in a review he wrote of one of their gigs for Sounds (as "Maxwell Park).

The original lineup was Steven Bonomi (vocals), Robert Farrell (guitar, synth), David Rudden (bass) and Jim Spender/aka Jim McKinven (keyboards & synths). The band's sound was enhanced by the use of a drum machine which further added to their "Futurist/New Musik" tag at the time. They recorded their eponymous album (which was to be called 'Building On The Sand' before a last minute change) at Rock City, Shepperton in January of 1980. However, before the album's release Rudden left due to "artistic differences" with Bonomi and Farell and was replaced firstly by Russell Barrie for a very brief period (Barrie is seen dressed in pink on the cover of their single "Science") and then by Nick Clark from Cuban Heels (Clark is credited on the album, although it was Rudden who played.) David Rudden went on to form Endgames (band).

In early 1980, the single "Science/Manikin"[3] was released. 'Manikin' was an instrumental version of the album track 'Mannequin' which was itself inspired by Kraftwerk's Showroom Dummies). The Mike Thorne produced album Berlin Blondes was released much later in the year (September 1980) along with the single "Framework/Zero Song". However, sales did not live up to expectations and the band was dropped from the label. Trouser Press reviewed the album (years after its original release) and rather haughtily describes it as "undistinguished, danceable hybrid synth/bass/drums clichés, occasionally adding colorful Sparks-like vocals for character." In truth, Bonomi's vocal style owed much more to Brian Ferry and (Judy Teen era) Cockney Rebel than it did to Russell Mael. Many fans believed the album did not capture the power of the band's live performances whilst Robert Farrell stated that (as it was one of the very first 'Futurist/New Musik' albums released) people were "not ready for it".[4]

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