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Showroom Dummies

Trans-Europe Express
Trans-Europe Express German.png
German album cover
Studio album by Kraftwerk
Released March 1977
Recorded 1976
Studio Kling Klang Studio
(Düsseldorf, Germany)
Genre
Length 42:45
Label Kling Klang
Producer
Kraftwerk chronology
Radio-Activity
(1975)Radio-Activity1975
Trans Europe Express
(1977)
The Man-Machine
(1978)The Man-Machine1978
Alternative album cover
Album cover used on most international editions of the album
Album cover used on most international editions of the album
2009 Edition
Album cover used on the 2009 remastered edition
Album cover used on the 2009 remastered edition
Singles from Trans-Europe Express
  1. "Trans-Europe Express"
    Released: April 1977
  2. "Showroom Dummies"
    Released: August 1977

Trans-Europe Express (German: Trans Europa Express) is the sixth studio album by German electronic music band Kraftwerk. Recorded in mid-1976 in Düsseldorf, Germany, the album was released in March 1977 on Kling Klang Records. Musically, it saw the group refine their melodic electronic style, with a focus on sequenced rhythms, minimalism, and occasionally manipulated vocals. The themes of the songs include celebrations of the titular railway system and meditations on the disparities between reality and appearance.

Trans-Europe Express charted at 119 on the American charts and was placed number 30 on the Village Voice's 1977 Pazz & Jop critics poll. Two singles were released from Trans-Europe Express: "Trans-Europe Express" and "Showroom Dummies". The album has been re-released in several formats and continued to receive acclaim from modern critics. In 2014, the LA Times called it "the most important pop album of the last 40 years."

After the release and tour for the album Radio-Activity, Kraftwerk continued to move further away from their earlier Krautrock style of improvised instrumental music, refining their work more into the format of melodic electronic songs. During the tour for Radio-Activity, the band began to make performance rules such as not to be drunk on stage or at parties. Karl Bartos wrote that about these rules, stating that "it's not easy to turn knobs on a synthesizer if you are drunk or full of drugs. ... We always tried to keep very aware of what we were doing while acting in public." During this tour, early melodies that would later evolve into the song "Showroom Dummies" were being performed.


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