Benedictine Convent of Saint John
| Benedictine Abbey of St. John at Müstair | |
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| Name as inscribed on the World Heritage List | |
Benedictine Abbey of Saint John
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| Type | Cultural |
| Criteria | iii |
| Reference | 269 |
| UNESCO region | Europe and North America |
| Coordinates | 46°37′45″N 10°26′52″E / 46.62917°N 10.44778°ECoordinates: 46°37′45″N 10°26′52″E / 46.62917°N 10.44778°E |
| Inscription history | |
| Inscription | 1983 (7th Session) |
 Location in Switzerland
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The Abbey of Saint John (German: Benediktinerinnenkloster St. Johann,Romansh: Claustra benedictina da Son Jon) is an ancient Benedictine monastery in the Swiss village of Müstair, in the Canton of Graubünden. By reason of its exceptionally well-preserved heritage of Carolingian art, it has been a UNESCO World Heritage Site since 1983.
The Carolingian Renaissance is deeply in debt to the success of Charlemagne as a king and patron, and the driving force behind what we see here in St John Abbey. Throughout history, art, education and leisure have all only truly thrived in times of peace, although war is often the most important factor for technological change. In the early Middle Ages the constant conflicts between the Frankish Kingdoms hindered the artistic progress previously enjoyed by the Romans when their empire was at its height. Under Charlemagne’s prosperous kingship, the introduction of a new peacetime monastic order began, paving the way for the frescos and architecture seen at Saint John Abbey.
As a devout Christian, Charlemagne wished to further the ability for his people to be both educated in the teachings of the church, and for his kingdom to be stable. One of the many ways that he achieved this was through his patronage of many monasteries throughout the Frankish Kingdom. The monasteries served as a training ground for missionaries, who were to be sent to the newly conquered areas of his empire and effect their conversion to Christianity. His goals were mostly focused on education, and his mission as king was to provide the basis for the education of the clergy so they could in turn educate the parishioners. These monasteries served as canvas for much of the art and architecture of the Carolingian Renaissance.
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