Bayou Country
| Bayou Country | ||||
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| Studio album by Creedence Clearwater Revival | ||||
| Released | January 5, 1969 | |||
| Recorded | 1968 | |||
| Studio | RCA Studios in Hollywood, California | |||
| Genre | Roots rock, swamp rock, southern rock, rock and roll | |||
| Length | 33:48 | |||
| Label | Fantasy | |||
| Producer | John Fogerty | |||
| Creedence Clearwater Revival chronology | ||||
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| Singles from Bayou Country | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| AllMusic |   |
| Rolling Stone original | (neutral) |
| Rolling Stone reissue |  |
Bayou Country is the second studio album by American rock band Creedence Clearwater Revival, released by Fantasy Records in January 1969, and was the first of three albums CCR released in that year (see 1969 in music). The album was remastered and reissued on 180 Gram Vinyl by Analogue Productions in 2006.
After ten years of struggling as the Blue Velvets and the Golliwogs, singer/guitarist John Fogerty, his brother guitarist Tom Fogerty, bassist Stu Cook and drummer Doug Clifford scored a #11 hit single with "Susie Q" in June 1968 under the name Creedence Clearwater Revival. Their self-titled album peaked at #52 on the Billboard albums chart. Despite their new-found success, however, seeds of discontent among the four members had already been planted due to John Fogerty assuming control of the band at just about every level. "There was a point at which we had done the first album. Everybody had listened to my advice. I don't think anybody thought too much about it," Fogerty recalled to Michael Goldberg of Rolling Stone in 1993. "But in making the second album, Bayou Country, we had a real confrontation. Everybody wanted to sing, write, make up their own arrangements, whatever, right? This was after ten years of struggling. Now we had the spotlight. Andy Warhol's fifteen minutes of fame. 'Suzie Q' was as big as we'd ever seen. Of course, it really wasn't that big...I didn't want to go back to the carwash." In 2007, the singer elaborated to Joshua Klein of Pitchfork, "I determined, we're on the tiniest record label in the world, there's no money behind us, we don't have a manager, there's no publicist. We basically had none of the usual star-making machinery, so I said to myself I'm just going to have to do it with the music...Basically I wanted to do what the Beatles had done. I sensed that I just had to do it myself."
Bayou Country contains what is arguably John Fogerty's most heralded composition, "Proud Mary", which peaked at #2 on the singles chart. In a 1969 interview, Fogerty said that he wrote it in the two days after he was discharged from the National Guard. In the liner notes for the 2008 expanded reissue of Bayou Country, Joel Selvin explained that the riffs for "Proud Mary", "Born on the Bayou", and "Keep on Chooglin'" were conceived by Fogerty at a concert in the Avalon Ballroom, and "Proud Mary" was arranged from parts of different songs, one of which was about a "washerwoman named Mary". The line "Left a good job in the city" was written following Fogerty's discharge from the National Guard, and the line "rollin' on the river" was from a movie by Will Rogers. In the Macintosh program "Garage Band", Fogerty explained that he liked Beethoven's Fifth Symphony, and wanted to open a song with a similar intro, inferring the way "Proud Mary" opens with the repeated C chord to A chord. In 1998, Fogerty admitted to Harold Steinblatt of Guitar World that he knew the composition was "my first really good song. I was 23 years old, I believe, and I'd been kind of playing at music for 10 years. But I recognized the importance of 'Proud Mary' immediately." In the same interview, Fogerty stated that the guitar solo was "me trying to be Steve Cropper," the guitarist from Booker T and the MGs. The song was acclaimed almost immediately, with Solomon Burke scoring a minor hit with it in 1969 and a radically rearranged version appearing on Ike and Tina Turner's 1971 LP Workin' Together. Bob Dylan told Rolling Stone in a 1969 interview that it was his favorite song of the year. In 2012, Fogerty recalled to Uncut's David Cavanagh that he was extremely focused at the time, honing his songwriting with a single-mindedness that led to a proficient string of hits:
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