Bayaning 3rd World
| Bayaning 3rd World | |
|---|---|
 |
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| Directed by | Mike de Leon |
| Written by | |
| Starring |
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| Music by | Lorrie Ilustre |
| Cinematography | Ding Achacoso |
| Edited by | Armando Jarlego |
| Distributed by | Cinema Artists Philippines |
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Release date
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1999 |
| Country | Philippines |
| Language | Filipino |
Bayaning 3rd World (English: 3rd World Hero) is a 1999 Filipino film directed by Mike de Leon that examines the heroism of Philippine national hero Jose Rizal, particularly on his supposed retraction of his writings against the Roman Catholic Church in the Philippines during the Spanish colonization period in the country.
Two filmmakers try to create a film venturing on the life of José Rizal. Before they do that, they try to investigate on the heroism of the Philippine national hero. Of particular focus is his supposed retraction of his views against the Roman Catholic Church during the Spanish regime in the Philippines which he expressed primarily through his two novels Noli Me Tangere and El Filibusterismo. The investigation was done mainly by "interviewing" key individuals in the life of Rizal such as his mother Teodora Alonso, his siblings Paciano, Trinidad, and Narcisa, his love interest and supposed wife Josephine Bracken, and the Jesuit priest who supposedly witnessed Rizal's retraction, Vicente Balaguer. Eventually, the two filmmakers would end up "interviewing" Rizal himself to get to the bottom of the issue.
In 1997, director Mike de Leon had been working on a film project on the life of Jose Rizal with Cinemax Films (now known as GMA Films). Along the way, he invited screenwriter Clodualdo Del Mundo Jr. to collaborate with him in the project. Problems during production eventually led to the project being scrapped, though it would later be completed by director Marilou Diaz-Abaya as the 1998 film Jose Rizal.
Despite this, de Leon and Del Mundo decided to proceed with producing an independently financed film on Jose Rizal. The duo tried to conceptualize on a film different from that of the original film project they worked on. De Leon created his first draft of the script in the English language, while Del Mundo would translate the script in the Filipino language and add some revisions.
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