Basilica of Our Lady of Graces

Basilica of Our Lady of Graces is a Roman Catholic Church in Sardhana, 19 km north-west of Meerut, in the Indian state of Uttar Pradesh.

Basilica of Our Lady of Graces, also known as Churches among the Churches, is dedicated to Virgin Mary. The Church was built by Begum Samru, a Nautch girl of 14 who married a European mercenary soldier Walter Reinhardt Sombre. Samru converted to Roman Catholicism in 1781 and adopted the name Joanna Nobilis. She is regarded as the only Catholic ruler in India, and ruled the Principality of Sardhana in 18th and 19th century. The Church is the largest in North India.

Begum Samru inherited the Jagir of Sardhana after her husband's death in 1778. Subsequently, she decided to construct a Church at Sardhana, dedicated to Virgin Mary. The construction of the Church costed Rs. 4 lakh, a huge amount in those days. Top masons were paid the equivalent of 25 p. per day, and the labourers in shells. Two huge lakes near the church are the result of the mud that was removed to supply the building material for the church. Two dates are often given for the beginning of the church - Mr. K. M. Munshi, the noted historian, gives the date as 1809. Many are inclined to follow this date because a Latin inscription over the main door of the church puts its dedication in 1822. The other date, given by Fr. Keegan in his study of the Begum, is 1820.

Begum Samru requested the Pope to make Sardhana an independent circumscription. In 1834, Pope Gregory XVI established the Apostolic Vicariate of Sardhana from the Apostolic Vicariate of Tibet-Hindustan and appointed Bishop Julius Caesar Scotti as the Apostolic Vicar. The church was the cathedral of Sardhana. However, Scotti was the only Vicar Apostolic, and eventually, the Apostolic Vicariate of Sardhana was merged into the Apostolic Vicariate of Agra.

The architect of the Church was Antonio Reghellini, an Italian from the city of Vicenza. The Church is based upon St. Peter's Basilica in Rome with touch of Palladio and some Indian architectural influence. The altar and its surrounds are of marble set with coloured stones. Much of the rest of the interior is also in marble, and everything is of the very highest craftsmanship. It is illuminated from an octagon set in the dome, from which the sun streams in.

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