Balalaika
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| String instrument | |||
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| Classification | Plucked string instrument | ||
| Hornbostel–Sachs classification | 321.321 (Composite chordophone) |
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| Developed | Late 18th to early 19th centuries | ||
| Playing range | |||
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| Related instruments | |||
| Domra | |||
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The balalaika (Russian: балала́йка, pronounced [bəɫɐˈɫajkə]) is a Russian stringed musical instrument with a characteristic triangular body and three strings.
The balalaika family of instruments includes instruments of various sizes, from the highest-pitched to the lowest: the piccolo balalaika, prima balalaika, secunda balalaika, alto balalaika, bass balalaika, and contrabass balalaika. The prima balalaika is the most common; the piccolo is rare. There have also been descant and tenor balalaikas, but these are considered obsolete. All have three-sided bodies; spruce, evergreen, or fir tops; and backs made of three to nine wooden sections (usually maple). They are typically strung with three strings, and the necks are fretted.
The prima balalaika, secunda and alto are played either with the fingers or a plectrum (pick), depending on the music being played, and the bass and contrabass (equipped with extension legs that rest on the floor) are played with leather plectra. The rare piccolo instrument is usually played with a pick.
The earliest mention of the term balalaika dates back to an 1688 Russian document. The term "balabaika" was used in Ukrainian language document from 18th century. According to one theory, the term was loaned to Russian, where – in literary language – it first appeared in "Elysei", a 1771 poem by V. Maykov.
The most common solo instrument is the prima, which is tuned E4–E4–A4 (thus the two lower strings are tuned to the same pitch). Sometimes the balalaika is tuned "guitar style" by folk musicians to G3–B3–D4 (mimicking the three highest strings of the Russian guitar), whereby it is easier to play for Russian guitar players, although classically trained balalaika purists avoid this tuning. It can also be tuned to E4–A4–D5, like its cousin, the domra, to make it easier for those trained on the domra to play the instrument, and still have a balalaika sound. The folk (pre-Andreev) tuning D4–F♯4–A4 was very popular, as this makes it easier to play certain riffs.
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