Baden Powell de Aquino
| Baden Powell | |
|---|---|
 |
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| Background information | |
| Birth name | Baden Powell de Aquino |
| Born |
August 6, 1937 Varre-Sai, Rio de Janeiro, Brazil |
| Died | September 26, 2000 (aged 63) Rio de Janeiro |
| Genres | Brazilian jazz, bossa nova |
| Occupation(s) | Musician |
| Instruments | Guitar |
Baden Powell de Aquino, usually known simply as Baden Powell (Portuguese: [ˈbadẽ ˈpaw]; 6 August 1937 – 26 September 2000), was one of the most prominent and celebrated Brazilian guitarists and guitar composers of his time. He combined classical techniques with popular harmony and swing. He performed in many styles, including bossa nova, samba, Brazilian jazz, Latin jazz and música popular brasileira. He performed on stage during most of his lifetime.
Baden Powell also composed many fine pieces for guitar, such as "Abração em Madrid", "Braziliense", "Canto de Ossanha", "Casa Velha", "Consolação", "Horizon", "Imagem", "Lotus", "Samba", "Samba Triste", "Simplesmente", "Tristeza e solidão", and "Xangô".
Baden Powell de Aquino was born in Varre-Sai in Rio de Janeiro, Brazil. His father, a Scouting enthusiast, named him after Robert Baden-Powell. When he was three months old, his family relocated to the Rio suburb of São Cristóvão. His house was a stop for popular musicians during his formative years. He started guitar lessons with Jayme Florence, a famous choro guitarist in the 1940s. He soon proved a young virtuoso, having won many talent competitions before he was a teenager. At age fifteen, he was playing professionally, accompanying singers and bands in various styles. He was fascinated by swing and jazz, but his main influences were in the Brazilian guitar canon.
In 1955, Powell played with the Steve Bernard Orquestra at the Boite Plaza, a nightclub within the Plaza Hotel in Rio, where his skill got the attention of the jazz trio playing across the lobby at the Plaza Bar. When Ed Lincoln needed to form a new trio, he asked Powell to join on guitar to become the Hotel Plaza Trio. Powell brought in Luiz Marinho on bass and a fourth member of the "trio": Claudette Soares on vocals. Powell, Lincoln, and their young musician friends took part in after-hours jam sessions, gaining notice in the growing Brazilian jazz scene.
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