B. R. Panthulu | |
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Panthulu, pictured in 1948
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Born |
Boodgur Ramakrishnaiah Panthulu 26 July 1910 Budaguru, Kolar, Madras Presidency, British India |
Died | 8 October 1974 | (aged 64)
Nationality | Indian |
Occupation | Actor, director, producer |
Spouse(s) | B. R. Andalammal |
Children | B. R. Vijayalakshmi, B.R.Ravishankar |
Budaguru Ramakrishnaiah Panthulu (26 July 1910 — 8 October 1974), better known as B. R. Panthulu, was an Indian film director, producer, and actor. He is best known for directing films in Kannada, Tamil, Telugu and Hindi. His most popular films are Sri Krishnadevaraya, School master, Kittur Channamma, Karnan, Veerapandiya Kattabomman, B. R. Panthulu which earned good name for ever for him in Indian film history converted Ma. Po. Si.'s biography works 'Veerapandiya Kattabomman' (a movie about a local chieftain who fought with the British in the 18th century in Tamil Nadu) and Kappalottiya Thamizhan' (a movie about a disciple Of Bal Gangathar Thilak, leading lawyer, first leader in South India, called as Thilak of South India) who rebelled against the British rule that forbade Tamils operating shipping companies) to celluloid.
Panthulu was born on 26 July 1910 in the village of Budaguru of Kolar district in the erstwhile Madras Presidency of British India (in present-day Kolar district of Karnataka). He began his career as a teacher. Influenced by professional theatre during the time, he joined the troupe Chandrakala Nataka Mandali. He acted in plays Samsara Nouka, Sadarame and Guleba Kavali. He also worked for some time with Gubbi Veeranna's troupe and acted in Sri Krishna Garudi among others. Panthulu then formed his own professional theatre troupe, the Kalaseva Nataka Mandali, staging plays of his own choice.
He made his debut as an actor in the 1936 Kannada film Samsara Nauka, an adaptation of the play he acted in. It was produced by Devi Films based in Chennai. Directed by H. L. N. Simha, the film starred Panthulu, M. V. Rajamma, Dikki Madhava Rao, S. K. Padmadevi and M. S. Madhava Rao. The hero marries against his grandfather's wishes and is cast out. His troubles do not end here – he finds no favour with his in-laws, loses his job, and finds himself accused of murdering the bride his grandfather had chosen for him.The film was adapted from a play by the Chadrakala Natak Mandali, and remained true to the original's reformist ideal.