Azerbaijani pop music
| Music of Azerbaijan | |
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| General topics | |
| Genres | |
| Specific forms | |
| Traditional music | |
| Subgenres | |
| Media and performance | |
| Music festivals | |
| Music media | Medeniyyet TV |
| Nationalistic and patriotic songs | |
| National anthem | March of Azerbaijan |
Azerbaijani pop music (Azerbaijani: Azərbaycan pop musiqisi) had its humble beginnings in the late 1950s with Azerbaijani cover versions of a wide range of imported popular styles, including rock and roll, tango, and jazz. As more styles emerged, they were also adopted, such as hip hop, rock and reggae.
The early 1960s were probably the era when Azerbaijani pop music was most dependent on the group format, with pop acts, like rock bands, playing guitars and drums, with the occasional addition of keyboards or orchestration. Classical pop-folk music enjoyed mainstream popularity during this era, with artists such as Anatollu Ganiyev, Muslim Magomayev and Shahlar Guliyev.
The Azerbaijani pop music experienced during the late 1970s a golden age of productivity characterized by the rise of a new generation of musicians. The classical pop artists such as Rashid Behbudov, Mirza Babayev, Flora Karimova, Shovkat Alakbarova, Ogtay Aghayev, and Gulagha Mammadov experienced their greatest success at the start of the decade and maintained their popularity throughout the entire music history.
Akif Islamzade often considered one of the most successful and influential Azerbaijani male pop artists of the early 1980s.
Baku chanson, a subgenre of Russian chanson, picked up popularity for the mid 1980s. Artists such as Eyyub Yaqubov brought Baku chanson to popularity in 1992. However, many artists were uncomfortable with their success, and were equally suspicious of the chanson label.
In the early 1990s, the country music charts were dominated by pop singers with only tangential influences from regional music such as Niyameddin Musayev and Baloghlan Ashrafov, a trend that has continued since.
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Wikipedia