Ave Maria, WAB 5 (Bruckner)
| Ave Maria | |
|---|---|
| Motet by Anton Bruckner | |
The organ loft in the St. Florian Abbey
|
|
| Key | F major |
| Catalogue | WAB 5 |
| Form | Marian hymn |
| Text | Ave Maria |
| Language | Latin |
| Dedication | Ignaz Traumihler |
| Performed | 7 October 1856: Sankt Florian |
| Published | 1893: Innsbruck |
| Vocal | SATB choir - S and A soloists |
| Instrumental | organ and cello |
Ave Maria (Hail Mary), WAB 5, is a setting of the Latin prayer Ave Maria by Anton Bruckner.
Bruckner composed this motet on 24 July 1856, five years before his more famous motet, as a present for the name-day of Ignaz Traumihler, choirmaster of St. Florian Abbey. The first performance occurred on 7 October 1856 for the Rosenkranzfest (Feast of the Holy Rosary) in Sankt Florian.
The original manuscript is lost, but the score dedicated to Traumihler is stored in the archive of the St. Florian Abbey. Copies are also stored in the Kremsmünster Abbey and the Österreichische Nationalbibliothek. The motet was edited first by Johann Groß, Innsbruck in 1893. It is put in Band XXI/19 of the Gesamtausgabe.
The 52-bar long motet in F major is scored SATB choir and S and A soloists, organ and cello (continuo). It begins in Andante with a fugato. The fugato is ending on bar 8 with the by Haas so-called Marien-Kadenz (cadence on the word "Maria"), which Bruckner will recall in the first movement of the Study Symphony in F minor and in the Adagio of the later Symphony No. 3. On the next bar the alto soloist is singing "gratia plena" and on bar 13 the soprano soloist is going on with "benedicta tu". On bars 18-22 the score is slowing down to Adagio, during which the choir is singing three times "Jesus". Bruckner will repeat this three times "Jesus" in his next two settings of the Ave Maria. The second part of the motet is sung by the choir (bars 23-52). The score, which goes back to Andante, begins with "Sancta Maria", sung in canon and ends with the beginning motif.
...
Wikipedia