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August Malmström

August Malmström
August Malmström.JPG
Born Johan August Malmström
14 October 1829 (1829-10-14)
Motala, Sweden
Died 18 October 1901 (1901-10-19)
, Sweden
Nationality Swedish
Education Royal Swedish Academy of Arts,
Known for Painting

Johan August Malmström (14 October 1829 – 18 October 1901) was a Swedish painter. As an artist, he was known for his country motives often featuring children. His most widely recognized work is Grindslanten, featuring a typical scene from 19th century Sweden. Influenced by the national romanticism of Gothicismus, he also collected motives from Norse mythology. He made illustrations for publications of both Frithiofs saga (Friðþjófs saga hins frœkna) and The Tales of Ensign Stål (Fänrik Ståls sägner).

Malmström served as a professor at the Royal Swedish Academy of Arts and later manager of the same institution. Malmström was also an illustrator who worked for several newspapers and book publishing houses. Additionally, Malmström designed furnitures, worked as a pattern drawer and was a designer for Gustavsberg.

August Malmström was born on 14 October 1829 at the cottage Nubbekullen in Västra Ny parish within the municipality of Motala in Östergötland County. Nubbekullen (Nubbekullens hembygdsgård) is today a local museum. His father was a carpenter and ornamental sculptor who managed a small farm. August, together with his brother, helped his father with agriculture and woodwork. Among other works they made ornaments for altarpieces and pulpits to churches. Both parents encouraged August in his choice of life. His mother was interested in literature, which evoked his interest in history. He showed early interest in drawing and painting. An injury in his right hand which never cured properly exempted him from hard work and gave him even more time to spend on arts. In his teens he was skilled enough to support his family, he made small paintings and colored pictures which were given away as presents on birthdays and name days. His parents recognized his talent and sold their only ox to finance his studies in Stockholm.

Malmström came to Stockholm with 27 Swedish riksdaler in his pocket and applied for admission at the Royal Swedish Academy of Arts. It was first with the help of the elder painter Nils Andersson that he managed to be accepted and thus on 3 November 1849 he was registered at the academy's ground school. Already at the beginning his talent attracted attention and his study period was marked by rewards of all sorts. The academy had painting contests every year with given themes and Malmström was probably the most diligent participant.


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