Asylum | ||||
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The cover art of Asylum featuring Disturbed's mascot, The Guy.
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Studio album by Disturbed | ||||
Released | August 31, 2010 | |||
Recorded | February 8, 2010 – April 20, 2010 | |||
Studio | Groovemaster Studios in Chicago, Illinois | |||
Genre | ||||
Length | 52:54 | |||
Label | Reprise | |||
Producer | Dan Donegan, David Draiman, Mike Wengren | |||
Disturbed chronology | ||||
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Singles from Asylum | ||||
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Professional ratings | |
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Aggregate scores | |
Source | Rating |
Metacritic | 70/100 |
Review scores | |
Source | Rating |
About.com | |
AllMusic | |
Billboard | positive |
Entertainment Weekly | B− |
Kick-Axe | |
Rock Sound | 7/10 |
Rolling Stone | |
PopMatters | 7/10 |
411mania | 7.0/10 |
Asylum is the fifth studio album by American metal band Disturbed. Asylum is meant to take a fresh direction in the band's music career, while remaining consistent with the band's previous albums. Most of the lyrical content was inspired by aspects of frontman David Draiman's life prior to making the album. The album was released on August 31, 2010 in the United States through Reprise Records. A tour in support of the album, titled the Asylum Tour, started in late August 2010. Asylum is also the third consecutive Disturbed album to not feature the Parental Advisory label (although the deluxe version on iTunes is marked explicit for live versions of their earlier material from The Sickness).
Asylum debuted at number-one on the Billboard 200 chart with sales of approximately 179,000 according to Nielsen Soundscan. This is the fourth consecutive number-one album in the U.S. for Disturbed. The other two bands ever to accomplish this feat in the Soundscan era are metal band Metallica and folk rock/jam band Dave Matthews Band. On March 31, 2011, Asylum was certified Gold by the Recording Industry Association of America (RIAA).
In a November 2008 interview, David Draiman stated that their upcoming album would be lyrically as dark as their previous album, Indestructible, if not darker. In an earlier interview with Mike Wengren and John Moyer, it was stated that, judging by Draiman's feelings on the last few years of his life, the album would be aggressive, angry, and "hard-hitting," but similar musically to their album Believe.