Arthur Penn | |
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Penn at the 2007 Berlin International Film Festival
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Born |
Arthur Hiller Penn September 27, 1922 Philadelphia, Pennsylvania, United States |
Died | September 28, 2010 New York City, New York, United States |
(aged 88)
Occupation | Film director, producer |
Spouse(s) | Peggy Maurer (1955–2010; his death) |
Children | Matthew Penn, Molly Penn |
Arthur Hiller Penn (September 27, 1922 – September 28, 2010) was an American director and producer of film, television and theater. Penn directed critically acclaimed films throughout the 1960s such as the drama The Chase (1966), the biographical crime film Bonnie and Clyde (1967) and the comedy Alice's Restaurant (1969). He also got attention for his revisionist Western Little Big Man (1970).
By the mid-1970s his films were received with much less enthusiasm. In the 1990s he returned to stage and television direction and production, including an executive producer role for the crime series Law & Order.
Penn was born to a Russian Jewish family in Philadelphia, Pennsylvania, the son of Sonia (Greenberg), a nurse, and Harry Penn, a watchmaker. He was the younger brother of Irving Penn, the successful fashion photographer. During the 1920s, he moved in with his mother after she divorced Penn's father. Some time after, he came back to his sickly father, leading him to run his father's watch repair shop. At 19 he was drafted into the army. Stationed in Britain, he became interested in theater. He started to direct and take part in shows being put on for the soldiers around England at the time. As Penn grew up, he became increasingly interested in film, especially after seeing the Orson Welles film Citizen Kane. He later attended Black Mountain College in North Carolina, and was a featured commentator in the documentary Fully Awake about the college.
After making a name for himself as a director of quality television dramas, Penn made his feature debut with a western, The Left Handed Gun (1958) for Warner Brothers. A retelling of the Billy the Kid legend, it was distinguished by Paul Newman's sharp portrayal of the outlaw as a psychologically troubled youth (the role was originally intended for the archetypal portrayer of troubled teens, James Dean). The production was completed in only 23 days, but Warner Brothers reedited the film against his wishes with a new ending he disapproved of. The film subsequently failed upon release in North America, but was well received in Europe.