Arthur Elgort
| Arthur Elgort | |
|---|---|
| Born |
June 8, 1940 Brooklyn, New York, U.S. |
| Nationality | American |
| Occupation | Photographer |
| Known for | Fashion photography |
| Spouse(s) | Grethe Barrett Holby |
| Children | Warren Elgort, Ansel Elgort, Sophie Elgort |
| Awards | CFDA Board of Directors Award 2011 Sundance Film Festival 1994 - Best Cinematography |
| Website | Arthur Elgort official website |
Arthur Elgort (born June 8, 1940) is an American fashion photographer best known for his work with Vogue magazine.
Elgort was born in Brooklyn, New York, to Sophie (née Didimamoff) and Harry Elgort, a restaurant owner. He is of Russian-Jewish heritage. Raised in New York City, he attended Stuyvesant High School and Hunter College, where he studied painting.
He lives in New York City with his wife, Grethe Barrett Holby, who is a producer, stage director, choreographer, and dramaturge, and three children, including actor Ansel Elgort.
Elgort began his career working as a photo assistant to Gosta "Gus" Peterson. Elgort's 1971 debut in British Vogue created a sensation in the Fashion Photography world where his soon-to-be iconic "snapshot" style and emphasis on movement and natural light liberated the idea of fashion photography. In September 2008, he told Teen Vogue that he credited Mademoiselle for his big break: "They were really brave and gave me a chance. It was the first time I was shooting a cover instead of a half-page here or there."
He worked for such magazines as International and American Vogue, Glamour, GQ, Rolling Stone, and Teen Vogue, and shooting advertising campaigns with fashion labels as Chanel, Valentino, and Yves Saint Laurent. He still works for fashion publications, as well as working on his most recent 2009 advertising campaigns with Via Spiga and Liz Claiborne with Isaac Mizrahi. His work is exhibited in the permanent collections of the International Center of Photography in New York, in the Victoria and Albert Museum in London and in the Museum of Fine Arts in Houston, Texas.
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