Art Greenhaw is a Grammy Award-Winning recording artist, producer and mixing engineer, having won the Grammy Award in 2003 in New York City for "Best Southern, Country or Bluegrass Gospel Album of the Year" for the album WE CALLED HIM MR. GOSPEL MUSIC: THE JAMES BLACKWOOD TRIBUTE ALBUM. He founded the independent record label, Greenhaw Records.
Greenhaw is bassist, multi-instrumentalist and manager for The Light Crust Doughboys. He officially joined The Light Crust Doughboys as band member in 1993 under the direction of Marvin "Smokey" Montgomery, one of Greenhaw's musical mentors. The symphony performances and the other enterprises of The Light Crust Doughboys in the 1990s and in the new millennium are largely the products of Art Greenhaw's imagination and promotional skill.
Like most of the other Doughboys down through the years, Greenhaw started in music at an early age. At eight, Art picked up the guitar, and by the fourth grade, he had his own band, "The Doodlebugs". Later, during the psychedelic era, came a rock band named "The Inner Soul". With The Inner Soul, Greenhaw met physician George Miller, the father of rock musician Steve Miller. The elder Miller hired Greenhaw's groups to play at various parties. Greenhaw's interest in guitar led him to country music at an early age. At the same time, Greenhaw studied classical music as a child at the SMU Piano Preparatory Department. Years later, Greenhaw received his college degree from SMU.
Starting in 1983, Greenhaw served as the musical director and band leader of a weekly country music revue, the Mesquite Opry. Art first worked with The Light Crust Doughboys when he booked them to play at the Mesquite Folk Festival in 1983, which Greenhaw had founded. Greenhaw became excited about the prospects for the venerable band, which had been working only sporadically for several years. He brought his marketing talents to bear. Walter Hailey, the Doughboys' master of ceremonies in the 1950s, was born in Mesquite and is a close friend of Art's family, so Art had been steeped in Light Crust Doughboys lore growing up.
Greenhaw has been bassist of The Light Crust Doughboys since 1993. His experience as a rock guitarist has affected his bass playing. He usually plays with a pick, a feature more common to rock bassists than to jazz, country or western swing players. Greenhaw brings great variety to the Doughboys' bass position. His approach changed the bass sound of the Doughboys' rhythm section; the bass, before always supportive, now is more melodic and noticeable, as in rock music.
When Greenhaw joined the Doughboys as bass player and co-producer in 1993, he set into motion a plan through which the Doughboys would create for themselves a new golden age. That plan has resulted in the Doughboys making frequent appearances in theaters throughout Texas and Oklahoma.