Antonello Venditti
| Antonello Venditti | |
|---|---|
Antonello Venditti in 2008
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| Background information | |
| Born |
8 March 1949 Rome, Italy |
| Genres | Pop |
| Occupation(s) | Singer-songwriter |
| Years active | 1971–present |
| Labels | It, RCA Italiana, Philips, Heinz Music |
| Website | www |
Antonello Venditti (born 8 March 1949) is an Italian singer-songwriter who became famous in the 1970s for the social themes of his songs.
Antonello Venditti was born in Rome, the son of Vincenzino Italo from Campolieto Molise, deputy-prefect in Rome, and Wanda Sicardi.
He studied piano in his youth and made his debut in the music world in the early 1970s at the Folkstudio of Rome, together with singers like Francesco De Gregori and Giorgio Lo Cascio. In duo with the former he released in 1972 his first LP, Theorius Campus. The LP scored little success, but Venditti at least made himself noted for the strength of his vocal qualities and for his attention to social issues, evidenced by pieces like Sora Rosa which is sung in Roman dialect. Also in dialect was Roma Capoccia, a declaration of love for his city, which later became one of his most famous songs. Curiously, Venditti refused to sing it for several years, as he considered it not politically or socially "engaged" enough.
Venditti subsequently moved to Milan and released L'orso bruno (1973), made in collaboration with musician Vince Tempera; this album included another song in dialect, E li ponti so' soli, but otherwise was marked by an even stronger attention to social themes. His next work, Le cose della vita ("Things of Our Life"), released the same year for the colossus RCA Music, confirmed this tendency. The following LP Quando verrà Natale ("When Christmas Comes") was similar; its even more naked arrangements emphasize the strength of Venditti's denunciation. After a live performance of the song "A Cristo" ("To Christ"), he was denounced by an Italian police officer for blasphemy. Venditti, however, was later totally acquitted.
Although Venditti's use of religious language was not typical of the culture of the left, his manner of life in the late '60s and the '70s was, as he later told the journalist Giampaolo Mattei, a "secular" one: "They were years in which the influence of the left was really strong and the life of us young people then was somewhat orphaned of God. I think it was the everyday life of the time that led me to participate in and embrace certain things. I emerged from that when I realised it was a dead end because it took away people's happiness. Maybe it did give them social growth, but about happiness it had nothing to say. Too much materialism and too little spirituality. A whole generation grew up with that materialism, with certain slogans."
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Wikipedia