Anglo-EMI

EMI Films was a British film studio and distributor. A subsidiary of the EMI conglomerate, the name was not used throughout the entire period of EMI's involvement in the film industry, from 1969 to 1986, but the company's brief connection with Metro-Goldwyn-Mayer and Anglo-EMI, the division under Nat Cohen, and the later company as part of the Thorn EMI conglomerate (following the merger with Thorn) are discussed here.

The company was formed after the takeover of Associated British Picture Corporation (ABPC) in 1969 by EMI, following the acquisition of Warner Bros. shares in ABPC the previous year. At the time ABPC owned 270 ABC Cinemas, a half share in ITV contractor Thames Television, Elstree Studios at Shenley Road, and had recently bought Anglo-Amalgamated, a film studio in which Nat Cohen had been a partner.

EMI moved into film production with the foundation of a new company, EMI-Elstree. Bernard Delfont appointed writer-director Bryan Forbes head of production at Elstree in April 1969 for three years at £40,000 a year, plus a percentage of the profits. As part of the general shake up of EMI, Nat Cohen was appointed to the Board.

EMI announced they would make 28 films for $36 million - 13 of these would be from Cohen's unit for £7 million, the rest from Forbes'. Bernard Delfont called it "probably the most ambitious program ever undertaken by a British film company."

Forbes announced his intention to make a variety of films at Elstree, steering away from what he called the "pornography of violence." He claimed EMI would make 14 films in 18 months with such stars as Peter Sellers and Roger Moore at a cost of £5-10 million pounds in total. His aim was to keep budgets down and create a varied slate which would increase the chances of appealing to audiences and making a sufficient return to continue productions.

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