Angela Carter | |
---|---|
Born | Angela Olive Stalker 7 May 1940 Eastbourne, England |
Died | 16 February 1992 London, England |
(aged 51)
Occupation | Novelist, short story writer, journalist |
Nationality | British |
Website | |
www |
Angela Olive Carter-Pearce (née Stalker; 7 May 1940 – 16 February 1992) who published as Angela Carter, was an English novelist, short story writer and journalist, known for her feminist, magical realism, and picaresque works. In 2008, The Times ranked Carter tenth in their list of "The 50 greatest British writers since 1945". In 2012, Nights at the Circus was selected as the best ever winner of the James Tait Black Memorial Prize.
Born Angela Olive Stalker in Eastbourne, in 1940, to Sophia Olive (née Farthing; 1905–1969) and Hugh Alexander Stalker (1896–1988), Carter was evacuated as a child to live in Yorkshire with her maternal grandmother. As a teenager she battled against anorexia. After attending Streatham and Clapham High School, in south London, she began work as a journalist on the Croydon Advertiser, following in the footsteps of her father. Carter attended the University of Bristol where she studied English literature.
She married twice, first in 1960 to Paul Carter, divorcing in 1972. In 1969, she used the proceeds of her Somerset Maugham Award to leave her husband and relocate for two years to Tokyo, where she claims in Nothing Sacred (1982) that she "learnt what it is to be a woman and became radicalised". She wrote about her experiences there in articles for New Society and a collection of short stories, Fireworks: Nine Profane Pieces (1974), and evidence of her experiences in Japan can also be seen in The Infernal Desire Machines of Doctor Hoffman (1972). She then explored the United States, Asia and Europe, helped by her fluency in French and German. She spent much of the late 1970s and 1980s as a writer in residence at universities, including the University of Sheffield, Brown University, the University of Adelaide, and the University of East Anglia. In 1977, Carter married Mark Pearce, with whom she had one son. In 1979, both The Bloody Chamber, and her influential essay, The Sadeian Woman and the Ideology of Pornography, appeared. In the essay, according to the writer Marina Warner, Carter "deconstructs the arguments that underlie The Bloody Chamber. It's about desire and its destruction, the self-immolation of women, how women collude and connive with their condition of enslavement. She was much more independent-minded than the traditional feminist of her time."