Andrew Porter (music critic)
| Andrew Porter | |
|---|---|
| Born | 26 August 1928 Cape Town, South Africa |
| Died | 3 April 2015 (aged 86) London, United Kingdom |
| Occupation | Music critic |
Andrew Brian Porter (26 August 1928 – 3 April 2015) was a British music critic, scholar, organist and opera director.
Born in Cape Town, South Africa, Porter studied organ at University College, Oxford in the late 1940s. He then began writing music criticism for various London newspapers, including The Times and The Daily Telegraph. In 1953, he joined The Financial Times, where he served as the lead critic until 1972. Stanley Sadie, in the 2001 edition of the Grove Dictionary of Music and Musicians, wrote that Porter "built up a distinctive tradition of criticism, with longer notices than were customary in British daily papers, based on his elegant, spacious literary style and always informed by a knowledge of music history and the findings of textual scholarship as well as an exceptionally wide range of sympathies."
In 1960, Porter became the editor of The Musical Times. From 1972 to 1973 he served a term as the music critic of The New Yorker. Returning to the magazine in 1974, he remained its music critic until he moved back to London in 1992. His writings for The New Yorker won respect from leading figures in the musical world. The composer and critic Virgil Thomson, in a 1974 commentary on the state of music criticism, stated, "Nobody reviewing in America has anything like Porter's command of [opera]. Nor has The New Yorker ever before had access through music to so distinguished a mind." In particular, with operas that were unfamiliar to him, Porter exercised additional diligence in his preparation for his reviews. According to Opera News:
When reviewing an opera that was new to him, such as Bloch's Macbeth, he might attend three performances before he felt qualified to write about it; he frequently returned to productions after opening night to refine his viewpoint, and he reviewed virtually all music only after learning it from the score."
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