Andrew Lau
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April 4, 1960 Hong Kong |
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Andrew Lau Wai-Keung (born 4 April 1960) is a Hong Kong film director, producer, and cinematographer. Lau began his career in the 1980s and 1990s, serving as a cinematographer to filmmakers such as Ringo Lam, Wong Jing and Wong Kar-wai. In the 1990s, Lau decided to have more creative freedom as a cinematographer by becoming a film director and producer. Apart from making films in his native Hong Kong, Lau has also made films in China, Korea and the United States. A highly prolific filmmaker, Lau has made films in a variety of genres, and is most notable in the West for his action and crime films which include the Young and Dangerous film series, the Infernal Affairs trilogy (the latter co-directed together with Alan Mak), and Revenge of the Green Dragons (executive produced by Martin Scorsese).
Andrew Lau was born 4 April 1960, and is one of six siblings. As a child, he was raised in the New Territories of Hong Kong. His father worked as a construction worker on Hong Kong Island. Since his parents did not have time to concentrate on all of their children, Lau had developed an interest in photography. Lau was also a Catholic, and would go to church every week, learning how to play a guitar. As a child and high school student, Lau admits to not liking Hong Kong, since it was a British colony.
He currently has 4 children, 3 sons and a daughter.
Lau joined Shaw Brothers Studios after graduating from secondary school. He made his film debut as a semi-skilled cinematographer for Lau Kar-leung’s 1982 film, Legendary Weapons of China. He later served as a cinematographer for Sammo Hung's 1986 martial arts film Millionaire's Express and Ringo Lam's 1987 crime thriller City on Fire, where he became known for his use of lighting and hand-held cinematography. His work on As Tears Go By (1988), the directorial debut of Wong Kar-wai, earned him his first Hong Kong Film Award nomination for Best Cinematography. He also shot the beginning portion of Wong Kar-wai's Chungking Express in 1994 (Christopher Doyle was cinematographer for the film's second half).
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