Andrej Andrejew

André Andrejew (January 21, 1887 – March 13, 1967) was one of the most important art directors of the international cinema of the twentieth century. He had a distinctive, innovative style. His décors were both expressive and realistic. French writer Lucie Derain described Andrejew at the peak of his career as "an artist of the grand style, blessed with a vision of lyrical quality." Edith C. Lee wrote recently: "Believing in creative freedom rather than academic reconstruction, André Andrejew fulfilled the 20th century's notion of the romantic, individualistic artist. The unusual titillated his imagination."

André Andrejew was born in a town of Schawli (Lithuanian: Šiauliai) in tsarist Russia, (today Lithuania), on January 21, 1887 as Andrej Andreyev (Russian: Андрей Андреев). He studied architecture at the Moscow Fine Arts Academy. At the time in Russia, architecture could be studied at technical universities and with the more artistic angle at art academies, where accent was on interior design and decor and students were trained as artists. After the studies, André Andrejew worked as a scene designer at the Konstantin Stanislavski's Moscow Art Theatre.

After the October revolution of 1917, Andrejew migrated to Germany, where he worked as stage designer in theater productions in Berlin and Vienna, working among others with Max Reinhardt. In 1921/1922, he designed stage decorations for the Jasha Jushny's Der Blaue Vogel (Blue Bird), a legendary Russian émigré cabaret at Goltzstrasse in Berlin.

In 1923, he designed his first cinema décor for Raskolnikow, directed by Robert Wiene, film based upon Dostoyevsky's Crime and Punishment. This expressionist work made him the foremost art director in Germany. Rudolf Kurtz in his Expressionismus und Film (1926) wrote: Andrejew is a typical Moscow mixture, distinction of the streaked folk art (his decors) dissolves the rhythm of images, creates gentle forms, establishes balance even when everything is broken and torn.

...
Wikipedia