Analepsis

A flashback is an interjected scene that takes the narrative back in time from the current point in the story. Flashbacks are often used to recount events that happened before the story's primary sequence of events to fill in crucial backstory. In the opposite direction, a flashforward (or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop a character, or add structure to the narrative. In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started.

In movies and television, several camera techniques and special effects have evolved to alert the viewer that the action shown is a flashback or flashforward; for example, the edges of the picture may be deliberately blurred, photography may be jarring or choppy, or unusual coloration or sepia tone, or monochrome when most of the story is in full color, may be used.

An early example of analepsis is in the Ramayana and Mahabharata, where the main story is narrated through a frame story set at a later time. Another ancient example occurs in the Odyssey, in which the main action is told in flashback by Odysseus to a listener.

Another early use of this device in a murder mystery was in "The Three Apples", an Arabian Nights tale. The story begins with the discovery of a young woman's dead body. After the murderer later reveals himself, he narrates his reasons for the murder in a series of flashbacks leading up to the discovery of her dead body at the beginning of the story. Flashbacks are also employed in several other Arabian Nights tales such as "Sinbad the Sailor" and "The City of Brass".

Analepsis was used extensively by author Ford Madox Ford, and by poet, author, historian and mythologist Robert Graves.

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