Allen Say

Allen Say (born James Allen Koichi Moriwaki Seii in 1937; surname written Seii (清井^?) in Japanese) is an Asian American writer and illustrator. He is best known for Grandfather's Journey, a children's picture book detailing his grandfather's voyage from Japan to the United States and back again, which won the 1994 Caldecott Medal for illustration. This story is autobiographical and relates to Say's constant moving during his childhood. His work mainly focuses on Japanese and Japanese American characters and their stories, and several works have autobiographical elements.

Allen Say was born in Yokohama, Japan, to a Japanese family: a Japanese American mother born in San Francisco and a Korean father who was adopted by British parents and raised in Shanghai. At age 12, four years after his parents' divorce, Say went to live with his maternal grandmother, but received her permission a short time later to live alone. The boy apprenticed himself for many years to his favorite cartoonist, Noro Shinpei, an experience detailed in his book Drawing from Memory, as well as the basis of his semi-autobiographical novel The Ink-Keeper's Apprentice. In time Say came to think of Shinpei as his "spiritual father," as well as a mentor.

When his father decided to move to the United States with his new family, Say was invited to come along. He attended military school for a short time, an experience that was decidedly negative: "I learned bad English from rich juvenile delinquents and developed a lifelong loathing for uniforms and professional soldiers." He was eventually expelled for smoking a cigarette. Afterward, Say enrolled himself at Citrus Union High School, where he was able to continue his studies in art and graduated in 1956. His early experiences in the United States were outlined in his book, The Inker's Shadow. In the years before becoming a full-time author and illustrator, Say worked as a sign painter and photographer, as well as being drafted into the U.S. Army for a time. While stationed in Germany, his photography was noted and eventually published in the magazine, Stars and Stripes. Upon returning to the United States, he pursued photography as a career choice, but was encouraged to explore his illustrations. He was approached by Houghton Mifflin with a retelling of the Japanese folktale, The Boy of the Three-Year Nap.

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